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    <title>Feed MRSS-S Noticias</title>
    <description>Feed MRSS-S Noticias, english.elpais.com, culture</description>
    <language>en-us</language>
    <link>https://english.elpais.com</link>
    <lastBuildDate>Thu, 14 May 2026 19:24:24 GMT</lastBuildDate>
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      <guid isPermaLink="true">https://english.elpais.com/culture/2026-05-14/pinkpantheress-gen-zs-most-unmistakably-british-star-between-classic-tartan-and-a-chess-players-mind.html</guid>
      <title>PinkPantheress, Gen Z’s most unmistakably British star: Between classic tartan and a chess player’s mind</title>
      <pubDate>Thu, 14 May 2026 19:24:24 GMT</pubDate>
      <link>https://english.elpais.com/culture/2026-05-14/pinkpantheress-gen-zs-most-unmistakably-british-star-between-classic-tartan-and-a-chess-players-mind.html</link>
      <dc:creator>Lucas Barquero Pierantoni</dc:creator>
      <dcterms:alternative>In under five years, the singer has gone from posting TikTok clips to commanding major stages with a balance of determination and agility that made her the first woman — and the youngest artist ever — to win the BRIT Award for Producer of the Year</dcterms:alternative>
      <description>In under five years, the singer has gone from posting TikTok clips to commanding major stages with a balance of determination and agility that made her the first woman — and the youngest artist ever — to win the BRIT Award for Producer of the Year</description>
      <category>TikTok</category>
      <category>Rosalía</category>
      <category>Olivia Rodrigo</category>
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        <media:credit>NBC (Todd Owyoung/NBC via Getty Images)</media:credit>
        <media:title>PinkPantheress</media:title>
        <media:text>PinkPantheress performing on 'The Tonight Show' on July 30, 2025.</media:text>
        <media:description>PinkPantheress performing on 'The Tonight Show' on July 30, 2025.</media:description>
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      <atom:link href="https://english.elpais.com/people/2026-05-06/the-story-of-the-bling-ring-the-hollywood-thieves-who-inspired-a-movie-and-sabrina-carpenters-latest-music-video.html" title="The story of the Bling Ring, the Hollywood thieves who inspired a movie and Sabrina Carpenter’s latest music video" rel="related">
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      </atom:link>
      <atom:link href="https://english.elpais.com/people/2026-05-01/cara-delevingnes-many-reinventions-the-rebel-model-now-making-the-leap-to-music.html" title="Cara Delevingne’s many reinventions: The rebel model now making the leap to music " rel="related">
        <media:thumbnail url="https://images.english.elpais.com/resizer/v2/PR6KE6ALUZH43IYX7RXUXE24PI.jpg?auth=a92cf5407e98ab0eb6029a0b74f64ef2f059e3b015c87c7ddc13d7da8b82940f" height="3702" width="5553"/>
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      <content:encoded>&lt;p&gt;The people have spoken. The United Kingdom has a new ambassador. Her debut party took place this past April at that great hub of cultural diplomacy known as Coachella. At the most popular festival in the United States, PinkPantheress displayed the improbable mix of quirks that, at just 25, has made her the most unmistakably British star of her generation — from her fixation with &lt;a href="https://english.elpais.com/travel/2025-08-28/braveheart-in-spain-a-visit-to-the-town-that-becomes-scotland-for-a-few-days.html" target="_self" rel="" title="https://english.elpais.com/travel/2025-08-28/braveheart-in-spain-a-visit-to-the-town-that-becomes-scotland-for-a-few-days.html"&gt;tartan prints&lt;/a&gt; (which she wears even on her lips) to the hyper‑accelerated pulse of viral tracks like &lt;i&gt;Ilegal&lt;/i&gt; and, of course, the cool precision of a chess player’s mind inherited from a family full of champions.&lt;/p&gt;&lt;p&gt;&lt;a href="https://english.elpais.com/culture/2026-05-14/pinkpantheress-gen-zs-most-unmistakably-british-star-between-classic-tartan-and-a-chess-players-mind.html" target="_blank"&gt;Seguir leyendo&lt;/a&gt;&lt;/p&gt;</content:encoded>
    </item>
    <item>
      <guid isPermaLink="true">https://english.elpais.com/culture/2026-05-14/iron-maiden-the-heavy-metal-band-that-still-drives-audiences-wild-50-years-later.html</guid>
      <title>Iron Maiden: The heavy metal band that still drives audiences wild 50 years later</title>
      <pubDate>Thu, 14 May 2026 15:37:10 GMT</pubDate>
      <link>https://english.elpais.com/culture/2026-05-14/iron-maiden-the-heavy-metal-band-that-still-drives-audiences-wild-50-years-later.html</link>
      <dc:creator>Carlos  Marcos</dc:creator>
      <dcterms:alternative>The legendary metal band is celebrating half a century at the height of their popularity, and has also just released the documentary ‘Burning Ambition’</dcterms:alternative>
      <description>The legendary metal band is celebrating half a century at the height of their popularity, and has also just released the documentary ‘Burning Ambition’</description>
      <category>Iron Maiden</category>
      <category>Rock</category>
      <category>Heavy metal</category>
      <category>The Rolling Stones</category>
      <category>Ac/Dc</category>
      <category>Metallica</category>
      <media:content url="https://images.english.elpais.com/resizer/v2/DVQSCRXQTVGQ3K5V2P3DF5G7VE.jpg?auth=b97110d76853db1ea5cb193b0f01eec6d2c3611ac906227f91e4eae96b8e839b" type="image/jpeg" medium="image">
        <media:credit>Michael Ochs Archives (Getty Images)</media:credit>
        <media:title>iron. British singer Bruce Dickinson, Iron Maiden frontman, and British musician and songwriter Steve Harris (left of frame), playing a Fender Precision Bass, performing live in concert with the British heavy metal band, United States, September 1983. The concert was a date on the North American leg of the band's 'World Piece Tour', in support of their album 'Piece of Mind'. (Photo by Michael Montfort/Michael Ochs Archives/Getty Images)</media:title>
        <media:text>Bruce Dickinson at an Iron Maiden concert in 1983. On the left, guitarist Dave Murray and bassist Steve Harris.</media:text>
        <media:description>Bruce Dickinson at an Iron Maiden concert in 1983. On the left, guitarist Dave Murray and bassist Steve Harris.</media:description>
      </media:content>
      <atom:link href="https://english.elpais.com/culture/2026-05-12/the-women-who-went-where-even-punk-failed-to-go.html" title="The women who went where even punk failed to go" rel="related">
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      </atom:link>
      <atom:link href="https://english.elpais.com/culture/2026-05-04/rosalia-you-need-to-be-able-to-joke-around-and-have-a-sense-of-humor-in-life.html" title="Rosalía: ‘You need to be able to joke around and have a sense of humor in life’" rel="related">
        <media:thumbnail url="https://images.english.elpais.com/resizer/v2/TVCACDCL75HPBC563LBC3BNK54.jpg?auth=e7e3affeabc2ec3265850734d453dd16cb2cd35de988fc5f021b5504fae55385" height="2500" width="4444"/>
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      <content:encoded>&lt;p&gt;The true measure of a long-established rock band lies in how they handle their low points. In 1993, Iron Maiden played in Madrid at a venue called Canciller, a small club for their stature: only 1,800 people. Bruce Dickinson, the singer, was leaving the band, and they decided to tour smaller venues. From early afternoon, the line of fans stretched for several blocks. &lt;/p&gt;&lt;p&gt;&lt;a href="https://english.elpais.com/culture/2026-05-14/iron-maiden-the-heavy-metal-band-that-still-drives-audiences-wild-50-years-later.html" target="_blank"&gt;Seguir leyendo&lt;/a&gt;&lt;/p&gt;</content:encoded>
    </item>
    <item>
      <guid isPermaLink="true">https://english.elpais.com/culture/2026-05-13/the-future-of-streaming-after-boardroom-shake-ups.html</guid>
      <title>The future of streaming after boardroom shake-ups</title>
      <pubDate>Wed, 13 May 2026 16:12:26 GMT</pubDate>
      <link>https://english.elpais.com/culture/2026-05-13/the-future-of-streaming-after-boardroom-shake-ups.html</link>
      <dc:creator>Natalia Marcos</dc:creator>
      <dcterms:alternative>Recent leadership changes at major entertainment groups point to possible shifts in how their platforms are defined and positioned</dcterms:alternative>
      <description>Recent leadership changes at major entertainment groups point to possible shifts in how their platforms are defined and positioned</description>
      <category>Netflix</category>
      <category>Warner Bros</category>
      <category>Paramount</category>
      <category>Apple TV</category>
      <category>Internet</category>
      <category>Televisión</category>
      <category>Tim Cook</category>
      <category>Movistar</category>
      <media:content url="https://images.english.elpais.com/resizer/v2/BTTD74WYIRINLDDEP6MKJPUV74.jpg?auth=c07cca5e7208e4c86bd2d2663fc34a7104de6e397b9d9fa6796adda67d279fd6" type="image/jpeg" medium="image">
        <media:credit>Bebeto Matthews (AP)</media:credit>
        <media:title>Apple New CEO</media:title>
        <media:text>John Ternus, Apple's new CEO, during a presentation in New York.</media:text>
        <media:description>John Ternus, Apple's new CEO, during a presentation in New York.</media:description>
      </media:content>
      <atom:link href="https://english.elpais.com/culture/2026-05-12/hollywood-in-the-trump-era-doesnt-go-to-cannes.html" title="Hollywood in the Trump era doesn’t go to Cannes " rel="related">
        <media:thumbnail url="https://images.english.elpais.com/resizer/v2/OM3P36XJDNB6RNPM7BK3YUQNKU.JPG?auth=369503e5e6f35e5a68f65189617e7769f14fda1ad3a86b18fd5028722c151321" height="4000" width="6000"/>
      </atom:link>
      <atom:link href="https://english.elpais.com/culture/2026-05-12/the-women-who-went-where-even-punk-failed-to-go.html" title="The women who went where even punk failed to go" rel="related">
        <media:thumbnail url="https://images.english.elpais.com/resizer/v2/NNR7O256ZNFSNL63RNMXEOW5QM.JPG?auth=3c2c6569feeb36bdb56d107060a1dbb281cd4064f3b6a91263fe700b64ce92ff" height="2700" width="2160"/>
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      <content:encoded>&lt;p&gt;In recent months, a wave of leadership changes has swept through major entertainment companies. The recent leadership shift at Disney adds to the impact of Paramount’s acquisition of Warner Bros. The latest shake-up at the top has come at Apple. Meanwhile, &lt;a href="https://english.elpais.com/economy-and-business/2025-09-06/lessons-from-netflix-co-founder-on-starting-a-business-a-bad-idea-with-an-incredible-leader-can-become-great.html" target="_self" rel="" title="https://english.elpais.com/economy-and-business/2025-09-06/lessons-from-netflix-co-founder-on-starting-a-business-a-bad-idea-with-an-incredible-leader-can-become-great.html"&gt;Netflix founder and chairman Reed Hastings&lt;/a&gt; has announced his definitive departure, although in this case, the transition was already underway. In Spain, Movistar is also undergoing changes in its television division. How will this upheaval affect the future of their respective platforms?&lt;/p&gt;&lt;p&gt;&lt;a href="https://english.elpais.com/culture/2026-05-13/the-future-of-streaming-after-boardroom-shake-ups.html" target="_blank"&gt;Seguir leyendo&lt;/a&gt;&lt;/p&gt;</content:encoded>
    </item>
    <item>
      <guid isPermaLink="true">https://english.elpais.com/culture/2026-05-13/painting-stolen-by-the-nazis-surfaces-in-the-netherlands-thanks-to-a-man-who-was-unaware-he-was-a-descendant-of-an-ss-general.html</guid>
      <title>Painting stolen by the Nazis surfaces in the Netherlands thanks to a man who was unaware he was a descendant of an SS general</title>
      <pubDate>Wed, 13 May 2026 12:25:17 GMT</pubDate>
      <link>https://english.elpais.com/culture/2026-05-13/painting-stolen-by-the-nazis-surfaces-in-the-netherlands-thanks-to-a-man-who-was-unaware-he-was-a-descendant-of-an-ss-general.html</link>
      <dc:creator>Ferrer Ferrer</dc:creator>
      <dcterms:alternative>The painting was part of the Goudstikker collection, one of the most significant claims involving art stolen from Jews</dcterms:alternative>
      <description>The painting was part of the Goudstikker collection, one of the most significant claims involving art stolen from Jews</description>
      <category>Waffen SS</category>
      <category>Hermann Göring</category>
      <category>Argentina</category>
      <media:content url="https://images.english.elpais.com/resizer/v2/K4YXRAKGDBFBPBT26PGSMCWDHU.jpg?auth=2d720d8001a789c42bda005b2462bfc7e03a9d2f9d11f7beace1eda69a222533" type="image/jpeg" medium="image">
        <media:credit>Imagen cedida con Arthur Brand</media:credit>
        <media:title>Painting stolen by the Nazis in the Netherlands </media:title>
        <media:text>The stolen painting by Toon Kelder.</media:text>
        <media:description>The stolen painting by Toon Kelder.</media:description>
      </media:content>
      <atom:link href="https://english.elpais.com/international/2026-04-27/was-grandpa-a-nazi-germans-rush-online-to-search-the-newly-released-national-socialist-archive.html" title="Was grandpa a Nazi? Germans rush online to search the newly released National Socialist archive " rel="related">
        <media:thumbnail url="https://images.english.elpais.com/resizer/v2/JXASLU2GMBEU5EX46NOZQ3RE6I.jpg?auth=ba6a5eb1f97016f954f91f4bdda89e2fe803cad53ef05f06ceef336beb152bb3" height="3181" width="5099"/>
      </atom:link>
      <atom:link href="https://english.elpais.com/international/2025-11-08/the-unsuspecting-grandson-of-heinrich-himmler-on-spains-costa-del-sol.html" title="The unsuspecting grandson of Heinrich Himmler on Spain’s Costa del Sol" rel="related">
        <media:thumbnail url="https://images.english.elpais.com/resizer/v2/ZPF6PUAO2NGXPPDBOUNG7S6IGQ.jpg?auth=3315a45c07b87335a5aab5bf467a57c517d300448f417ffe9101fbea6c7521b8" height="2362" width="3543"/>
      </atom:link>
      <content:encoded>&lt;p&gt;A painting by the artist Toon Kelder (Rotterdam, 1894-1973), titled &lt;i&gt;Portrait of a Young Woman&lt;/i&gt;, stolen by the Nazis from the renowned art dealer &lt;a href="https://english.elpais.com/international/2025-08-27/a-house-sale-and-a-slip-up-how-a-painting-looted-by-the-nazis-was-located-in-argentina.html" target="_self" rel="" title="https://english.elpais.com/international/2025-08-27/a-house-sale-and-a-slip-up-how-a-painting-looted-by-the-nazis-was-located-in-argentina.html"&gt;Jacques Goudstikker&lt;/a&gt;, has surfaced at the home of the granddaughter of Hendrik Alexander Seyffardt, a Dutch general who commanded the Netherlands Volunteer Legion during &lt;a href="https://english.elpais.com/international/2025-07-28/when-did-the-nazis-lose-what-was-the-most-important-battle-the-unanswered-questions-about-world-war-ii.html" target="_self" rel="" title="https://english.elpais.com/international/2025-07-28/when-did-the-nazis-lose-what-was-the-most-important-battle-the-unanswered-questions-about-world-war-ii.html"&gt;World War II&lt;/a&gt;, a &lt;a href="https://english.elpais.com/international/2023-03-07/the-world-war-ii-battle-where-german-and-us-soldiers-joined-forces-against-the-waffen-ss.html" target="_self" rel="" title="https://english.elpais.com/international/2023-03-07/the-world-war-ii-battle-where-german-and-us-soldiers-joined-forces-against-the-waffen-ss.html"&gt;Waffen-SS unit&lt;/a&gt; that fought on the Eastern Front. A descendant of Seyffardt, unaware of the relationship, made the painting’s existence public through Arthur Brand, nicknamed the “art detective.”&lt;/p&gt;&lt;p&gt;&lt;a href="https://english.elpais.com/culture/2026-05-13/painting-stolen-by-the-nazis-surfaces-in-the-netherlands-thanks-to-a-man-who-was-unaware-he-was-a-descendant-of-an-ss-general.html" target="_blank"&gt;Seguir leyendo&lt;/a&gt;&lt;/p&gt;</content:encoded>
    </item>
    <item>
      <guid isPermaLink="true">https://english.elpais.com/culture/2026-05-12/the-women-who-went-where-even-punk-failed-to-go.html</guid>
      <title>The women who went where even punk failed to go</title>
      <pubDate>Tue, 12 May 2026 14:25:30 GMT</pubDate>
      <link>https://english.elpais.com/culture/2026-05-12/the-women-who-went-where-even-punk-failed-to-go.html</link>
      <dc:creator>Rafa  Cervera Torres</dc:creator>
      <dcterms:alternative>No Wave was a movement that emerged in New York in the late 1970s and shook up the underground scene. One of its leading figures recalls it in a book</dcterms:alternative>
      <description>No Wave was a movement that emerged in New York in the late 1970s and shook up the underground scene. One of its leading figures recalls it in a book</description>
      <category>Antonin Artaud</category>
      <category>The Ramones</category>
      <category>Talking Heads</category>
      <category>Brian Eno</category>
      <category>Patti Smith</category>
      <category>Nan Goldin</category>
      <category>Kathryn Bigelow</category>
      <category>Paul Simon</category>
      <category>Sinéad O’Connor</category>
      <media:content url="https://images.english.elpais.com/resizer/v2/NNR7O256ZNFSNL63RNMXEOW5QM.JPG?auth=3c2c6569feeb36bdb56d107060a1dbb281cd4064f3b6a91263fe700b64ce92ff" type="image/jpeg" medium="image">
        <media:credit>Mónica Orozco (Beacon Press)</media:credit>
        <media:text>Adele Bertei was a leader of the No Wave movement. </media:text>
        <media:description>Adele Bertei was a leader of the No Wave movement. </media:description>
      </media:content>
      <atom:link href="https://english.elpais.com/culture/2026-04-09/an-open-door-into-the-rooms-of-patti-smith-robert-mapplethorpe-and-other-residents-of-the-legendary-chelsea-hotel.html" title="An open door into the rooms of Patti Smith, Robert Mapplethorpe, and other residents of the legendary Chelsea Hotel   " rel="related">
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      </atom:link>
      <atom:link href="https://english.elpais.com/culture/2026-03-17/the-uncomfortable-truth-that-will-always-haunt-the-ramones-they-sold-more-t-shirts-than-records.html" title="The uncomfortable truth that will always haunt the Ramones: ‘They sold more T-shirts than records’" rel="related">
        <media:thumbnail url="https://images.english.elpais.com/resizer/v2/IX3PLDRCSZAYFPG3JDGAKMFQQQ.jpg?auth=509398ec81ecc7a0039518f49ab88b3a14be871d5945a27419ddc870dae74b46" height="2097" width="3069"/>
      </atom:link>
      <content:encoded>&lt;p&gt;During the financial crisis that rocked New York in 1977, a raw, short-lived artistic movement emerged — one that had no chance of breaking out of the underground — reaching places that even punk failed to go. “No Wave was brutal,” summarizes Adele Bertei, one of the promoters of that chaos orchestrated by musicians, filmmakers, and visual artists. “We had read [Antonin] Artaud’s &lt;i&gt;The Theater and Its Double&lt;/i&gt;, a book that already spoke of electronic instruments that would make piercing sounds before electric guitars proliferated. It was also very theatrical.” Newly arrived in the city, Bertei had found her place in a scene that acted as a successor to &lt;a href="https://english.elpais.com/culture/2024-09-16/you-want-to-play-like-him-youll-break-your-hand-20-years-on-since-the-death-of-johnny-ramone-the-guitarist-who-changed-rock.html" target="_self" rel="" title="https://english.elpais.com/culture/2024-09-16/you-want-to-play-like-him-youll-break-your-hand-20-years-on-since-the-death-of-johnny-ramone-the-guitarist-who-changed-rock.html"&gt;the Ramones&lt;/a&gt; and Talking Heads. She played keyboards with The Contortions, acted in several underground films, and ended up founding The Bloods, the first all-lesbian band to proclaim their identity at a time when it was common to keep it hidden.&lt;/p&gt;&lt;p&gt;&lt;a href="https://english.elpais.com/culture/2026-05-12/the-women-who-went-where-even-punk-failed-to-go.html" target="_blank"&gt;Seguir leyendo&lt;/a&gt;&lt;/p&gt;</content:encoded>
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    <item>
      <guid isPermaLink="true">https://english.elpais.com/culture/2026-05-12/hollywood-in-the-trump-era-doesnt-go-to-cannes.html</guid>
      <title>Hollywood in the Trump era doesn’t go to Cannes </title>
      <pubDate>Tue, 12 May 2026 14:24:51 GMT</pubDate>
      <link>https://english.elpais.com/culture/2026-05-12/hollywood-in-the-trump-era-doesnt-go-to-cannes.html</link>
      <dc:creator>Gregorio Belinchón Yagüe</dc:creator>
      <dcterms:alternative>For the first time in years, the French festival is not screening a single film from a major studio. Fear of political questions, soaring promotional costs, and the risk of harsh reviews looms large</dcterms:alternative>
      <description>For the first time in years, the French festival is not screening a single film from a major studio. Fear of political questions, soaring promotional costs, and the risk of harsh reviews looms large</description>
      <category>Cannes</category>
      <category>Hollywood</category>
      <category>Universal Pictures</category>
      <media:content url="https://images.english.elpais.com/resizer/v2/OM3P36XJDNB6RNPM7BK3YUQNKU.JPG?auth=369503e5e6f35e5a68f65189617e7769f14fda1ad3a86b18fd5028722c151321" type="image/jpeg" medium="image">
        <media:credit>Marko Djurica (REUTERS)</media:credit>
        <media:title>Hollywood Trump</media:title>
        <media:text>Several workers unfurling a banner in Cannes on Sunday featuring the faces of Susan Sarandon and Geena Davis from 'Thelma and Louise.'</media:text>
        <media:description>Several workers unfurling a banner in Cannes on Sunday featuring the faces of Susan Sarandon and Geena Davis from 'Thelma and Louise.'</media:description>
      </media:content>
      <atom:link href="https://english.elpais.com/culture/2026-05-08/jim-sheridan-filmmaker-my-mother-never-celebrated-her-birthday-because-she-believed-herself-guilty-of-my-grandmothers-death.html" title="Jim Sheridan, filmmaker: ‘My mother never celebrated her birthday because she believed herself guilty of my grandmother’s death’" rel="related">
        <media:thumbnail url="https://images.english.elpais.com/resizer/v2/YSGN2OUTKJDDPEPVILCWBYER4Y.JPG?auth=fdfd7a401df7f0a74467158b2239becc0fd76453965c5bdd0591e5045e2133cb" height="4630" width="6496"/>
      </atom:link>
      <atom:link href="https://english.elpais.com/culture/2026-05-06/pedro-alonso-bids-farewell-to-berlin-the-character-has-made-me-soar-and-the-best-way-to-honor-it-was-to-let-it-go.html" title="Pedro Alonso bids farewell to Berlin: ‘The character allowed me to soar, and the best way to honor this was to let it go’" rel="related">
        <media:thumbnail url="https://images.english.elpais.com/resizer/v2/R76TPJBY2JFLDDYHBSRNRXWPBU.jpg?auth=b00d3e1ea78faa9c63193732e8346ce6a4b571eb3d8d00be002c016d1bac1021" height="8736" width="11648"/>
      </atom:link>
      <content:encoded>&lt;p&gt;There will be no Tom Cruise reveling in low‑level flyovers along the beach at La Croisette by the French Air Force’s aerobatic team, as happened at the &lt;a href="https://english.elpais.com/culture/2022-05-20/tom-cruise-the-evangelist-of-the-movie-theater-i-will-never-release-films-on-streaming-platforms.html" target="_self" rel="" title="https://english.elpais.com/culture/2022-05-20/tom-cruise-the-evangelist-of-the-movie-theater-i-will-never-release-films-on-streaming-platforms.html"&gt;2022 premiere of &lt;i&gt;Top Gun: Maverick&lt;/i&gt;.&lt;/a&gt; Harrison Ford — or a similar star — will not climb the steps of the Palais des Festivals to the beat of an iconic theme, as he did in 2023 when bidding farewell to the whip‑cracking archaeologist in &lt;i&gt;Indiana Jones and the Dial of Destiny&lt;/i&gt;. There will be no screenings of major animated films from Pixar, Disney, or Universal. There will be no parade of models and celebrities set to songs by the King of Rock, as in 2022 with &lt;i&gt;Elvis&lt;/i&gt;. &lt;a href="https://english.elpais.com/culture/2023-04-16/quentin-tarantino-i-own-a-gun-and-ive-kept-the-swords-from-kill-bill.html" target="_self" rel="" title="https://english.elpais.com/culture/2023-04-16/quentin-tarantino-i-own-a-gun-and-ive-kept-the-swords-from-kill-bill.html"&gt;Quentin Tarantino &lt;/a&gt;will not arrive to showcase his vast film knowledge, as he did in 2019 with &lt;i&gt;Once Upon a Time in… Hollywood&lt;/i&gt;. &lt;/p&gt;&lt;p&gt;&lt;a href="https://english.elpais.com/culture/2026-05-12/hollywood-in-the-trump-era-doesnt-go-to-cannes.html" target="_blank"&gt;Seguir leyendo&lt;/a&gt;&lt;/p&gt;</content:encoded>
    </item>
    <item>
      <guid isPermaLink="true">https://english.elpais.com/culture/2026-05-12/meme-solis-the-timeless-pianoman.html</guid>
      <title>Meme Solís, the timeless pianoman</title>
      <pubDate>Tue, 12 May 2026 14:24:31 GMT</pubDate>
      <link>https://english.elpais.com/culture/2026-05-12/meme-solis-the-timeless-pianoman.html</link>
      <dc:creator>Carla Gloria Colomé</dc:creator>
      <dcterms:alternative>After 67 years in music, the Cuban singer, pianist, and composer still does not plan on ‘resting.’ He is currently promoting two new albums</dcterms:alternative>
      <description>After 67 years in music, the Cuban singer, pianist, and composer still does not plan on ‘resting.’ He is currently promoting two new albums</description>
      <category>Cuba</category>
      <category>Olga Guillot</category>
      <category>Fidel Castro</category>
      <media:content url="https://images.english.elpais.com/resizer/v2/7QHVUT6Z5ND7XMLH5YTM3TKOZ4.jpg?auth=e83546d51542b8307f0a32d063ce81081ca4435337aa8460d0c0dab43191952b" type="image/jpeg" medium="image">
        <media:credit>KLAUS GALIANO (EL PAÍS)</media:credit>
        <media:title>Meme Solís</media:title>
        <media:text>Meme Solís, in New York, on May 5.</media:text>
        <media:description>Meme Solís, in New York, on May 5.</media:description>
      </media:content>
      <atom:link href="https://english.elpais.com/culture/2026-03-29/eliades-ochoa-the-last-great-troubadour-people-in-cuba-have-lost-their-joy.html" title="Eliades Ochoa, the last great troubadour: ‘People in Cuba have lost their joy’ " rel="related">
        <media:thumbnail url="https://images.english.elpais.com/resizer/v2/3DNH57CBGBDSXJJJMU3MM37GKY.JPG?auth=c5ddce4487f7f8f8cba0ca61eb037eed3b19727b85a6ee9e762515e260551bd8" height="2700" width="1800"/>
      </atom:link>
      <atom:link href="https://english.elpais.com/culture/2026-03-26/silvio-rodriguez-the-world-is-run-by-an-authoritarian-warmongering-thieving-regime-and-its-not-cuba.html" title="Silvio Rodríguez: ‘The world is run by an authoritarian, warmongering, thieving regime. And it’s not Cuba’" rel="related">
        <media:thumbnail url="https://images.english.elpais.com/resizer/v2/EAJ22OFWVFEMZJYPSGGOYSO5AI.JPG?auth=bfedd1ddf57bf12b581aac5aa8dd19194bdbaa9d81c60650c076475896e786ec" height="4000" width="6000"/>
      </atom:link>
      <content:encoded>&lt;img src="https://images.english.elpais.com/resizer/v2/7QHVUT6Z5ND7XMLH5YTM3TKOZ4.jpg?auth=e83546d51542b8307f0a32d063ce81081ca4435337aa8460d0c0dab43191952b" width="7843" height="5229" alt="Meme Solís, in New York, on May 5."&gt;&lt;/img&gt;&lt;p&gt;It’s not the Havana of the 1960s but today’s New York, yet the pianist has sometimes felt they are one and the same. He wakes up at noon in his 25th-floor Manhattan apartment, which has a view of buildings arranged like a scale model on the horizon, where everything human seems momentarily wiped out. The pianist had always wanted to live in New York, and here he is. He went to bed late the night before, as he’s used to being a nocturnal creature. “I worked in cabaret all my life,” he says. “The early morning hours have always inspired me.”&lt;/p&gt;&lt;p&gt;&lt;a href="https://english.elpais.com/culture/2026-05-12/meme-solis-the-timeless-pianoman.html" target="_blank"&gt;Seguir leyendo&lt;/a&gt;&lt;/p&gt;&lt;img src="https://images.english.elpais.com/resizer/v2/5IQ6JAHQOJG4DMJOTX3TKKL43I.jpg?auth=912473fdb559989b1646a0fb90aa8cb04ca8da12063e7c04f35edbf701d408f9" width="8256" height="5504" alt="Meme Solís, pianist and composer in New York."&gt;&lt;/img&gt;&lt;img src="https://images.english.elpais.com/resizer/v2/IQTMJZZYGJC7VBPF4ARUOI7CTA.jpg?auth=f1b03f0591b3166a0240c63f314fafef8019f4595f39ebd3cd4d38c02cd1d867" width="8256" height="5504" alt="Part of Meme Solís' discography."&gt;&lt;/img&gt;&lt;img src="https://images.english.elpais.com/resizer/v2/IZ3MP6PFZFCEFHA6I4DYM6DZ4A.jpg?auth=2e8006bf9d99914f96e9241e22f02d9e376dab8178d9d52d70ab276dcb9167da" width="6844" height="4563" alt="The Cuban singer performing one of his melodies."&gt;&lt;/img&gt;</content:encoded>
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    <item>
      <guid isPermaLink="true">https://english.elpais.com/culture/2026-05-12/from-the-prince-of-puerto-rican-letters-to-bad-bunny-the-urgency-of-reclaiming-puerto-rico-as-a-linguistic-and-cultural-affirmation.html</guid>
      <title>From the ‘Prince of Puerto Rican letters’ to Bad Bunny: the urgency of reclaiming Puerto Rico as a linguistic and cultural affirmation</title>
      <pubDate>Tue, 12 May 2026 14:01:21 GMT</pubDate>
      <link>https://english.elpais.com/culture/2026-05-12/from-the-prince-of-puerto-rican-letters-to-bad-bunny-the-urgency-of-reclaiming-puerto-rico-as-a-linguistic-and-cultural-affirmation.html</link>
      <dc:creator>Eduardo Lago</dc:creator>
      <dcterms:alternative>Literature from the US territory is often overlooked despite its power and quality. A literary gathering and various recent publications are working to change this</dcterms:alternative>
      <description>Literature from the US territory is often overlooked despite its power and quality. A literary gathering and various recent publications are working to change this</description>
      <category>Puerto Rico</category>
      <category>Bad Bunny</category>
      <category>San Juan (Puerto Rico)</category>
      <category>Carlos Fuentes</category>
      <category>Mario Vargas Llosa</category>
      <media:content url="https://images.english.elpais.com/resizer/v2/ZG6G7F3EMRAMVDEZBZYREVHZLA.jpg?auth=57fcbc39181ac419d90145b1aa0a4fa52fc977b11b355c2313912e065482ef73" type="image/jpeg" medium="image">
        <media:credit>Christina House / Edu Bayer (El País/Getty)</media:credit>
        <media:title>cultura</media:title>
        <media:text>Puerto Rican writer Luis Rafael Sánchez and musician Bad Bunny.</media:text>
        <media:description>Puerto Rican writer Luis Rafael Sánchez and musician Bad Bunny.</media:description>
      </media:content>
      <atom:link href="https://english.elpais.com/economy-and-business/2026-05-10/in-puerto-rico-coffee-growers-are-in-demand.html" title="In Puerto Rico, coffee growers are in demand" rel="related">
        <media:thumbnail url="https://images.english.elpais.com/resizer/v2/35CQVKOSJ5DFZFEC677PQKKATI.jpg?auth=c712644e7cbcceea1aaadcb728e9edfaa82962417eb42cafcc9bd73312b0acb2" height="5702" width="8567"/>
      </atom:link>
      <atom:link href="https://english.elpais.com/international/2025-12-11/the-thousand-and-one-ways-to-heal-the-wounds-of-colonization-in-the-caribbean.html" title="The thousand and one ways to heal the wounds of colonization in the Caribbean" rel="related">
        <media:thumbnail url="https://images.english.elpais.com/resizer/v2/EJEKFBEZWRG2PMX4SBSWUSTLCQ.jpg?auth=90799ec0089299610500c65b91d8786ae57c59a81d84026aee9a8d61ff238578" height="3157" width="4745"/>
      </atom:link>
      <content:encoded>&lt;p&gt;It’s common for Puerto Rico to be overlooked when the topic is its literature. Both in Spain and Latin America, &lt;a href="https://english.elpais.com/usa/2026-03-27/luis-salgado-its-an-honor-to-be-a-hispanic-director-telling-the-story-of-us-independence.html" target="_self" rel="" title="https://english.elpais.com/usa/2026-03-27/luis-salgado-its-an-honor-to-be-a-hispanic-director-telling-the-story-of-us-independence.html"&gt;its literary production&lt;/a&gt; remains largely unknown despite its power and quality. With few exceptions, due to editorial policies, what is written in Puerto Rico stays in Puerto Rico. The neglect is widespread. In a book as emblematic as &lt;i&gt;Open Veins of Latin America&lt;/i&gt;, Eduardo Galeano doesn’t mention the island even once. Needless to say, there was no intention to offend. It’s simply a matter of invisibility. Often, perhaps too often, Puerto Rico is simply left out.&lt;/p&gt;&lt;p&gt;&lt;a href="https://english.elpais.com/culture/2026-05-12/from-the-prince-of-puerto-rican-letters-to-bad-bunny-the-urgency-of-reclaiming-puerto-rico-as-a-linguistic-and-cultural-affirmation.html" target="_blank"&gt;Seguir leyendo&lt;/a&gt;&lt;/p&gt;</content:encoded>
    </item>
    <item>
      <guid isPermaLink="true">https://english.elpais.com/culture/2026-05-10/amy-odell-anna-wintour-biographer-her-driving-force-is-amassing-power-consolidating-her-power.html</guid>
      <title>Amy Odell, Anna Wintour biographer: ‘Her driving force is amassing power, consolidating her power’</title>
      <pubDate>Sun, 10 May 2026 04:00:00 GMT</pubDate>
      <link>https://english.elpais.com/culture/2026-05-10/amy-odell-anna-wintour-biographer-her-driving-force-is-amassing-power-consolidating-her-power.html</link>
      <dc:creator>María Sánchez Díez</dc:creator>
      <dcterms:alternative>The journalist zeros in on the career of the world’s most famous fashion editor: “No one would have written ‘The Devil Wears Prada’ about Steve Jobs”</dcterms:alternative>
      <description>The journalist zeros in on the career of the world’s most famous fashion editor: “No one would have written ‘The Devil Wears Prada’ about Steve Jobs”</description>
      <category>Vogue</category>
      <category>Anna Wintour</category>
      <category>Amazon</category>
      <category>Jeff Bezos</category>
      <category>Lauren Sánchez</category>
      <category>Madonna</category>
      <category>Conde Nast</category>
      <media:content url="https://images.english.elpais.com/resizer/v2/HRTZBQD2ZBCFBPZVB7RIDVQIV4.jpg?auth=91a243e7d87f6da40ca30f2a223b1abc246d212700e8c34151c2539a766dfb58" type="image/jpeg" medium="image">
        <media:credit>Axelle/Bauer-Griffin (FilmMagic / Getty Images)</media:credit>
        <media:title>S MODA 333 Anna Wintour libro</media:title>
        <media:text>Anna Wintour at the 'Vanity Fair' Oscar party, held on March 15 in Los Angeles.</media:text>
        <media:description>Anna Wintour at the 'Vanity Fair' Oscar party, held on March 15 in Los Angeles.</media:description>
      </media:content>
      <atom:link href="https://english.elpais.com/culture/2026-05-01/the-devil-wears-amazon-how-jeff-bezos-became-an-unexpected-force-in-fashion.html" title="The Devil Wears Amazon: How Jeff Bezos became an unexpected force in fashion  " rel="related">
        <media:thumbnail url="https://images.english.elpais.com/resizer/v2/C5XDZOOEVBFJFHSN7Z4DQG2XXM.jpg?auth=9f5f8cb93d94fee213e4a5be6fe4e96f6bd17d3380ff6bfca54df37782c3d056" height="5760" width="8640"/>
      </atom:link>
      <atom:link href="https://english.elpais.com/culture/2026-04-30/costume-designer-for-the-devil-wears-prada-2-meryl-streeps-favorite-earrings-were-from-a-drugstore-and-cost-9.html" title="Costume designer for ‘The Devil Wears Prada 2’: ‘Meryl Streep’s favorite earrings were from a drugstore and cost $9′" rel="related">
        <media:thumbnail url="https://images.english.elpais.com/resizer/v2/KCAZUW4MEZBW3OVCKFTGUR3DBI.jpg?auth=cbe698d8a416450fe31e9b7b1691cf6b1e6dab103b583c235abcb05f75d4163b" height="976" width="1734"/>
      </atom:link>
      <content:encoded>&lt;p&gt;The day after Donald Trump’s victory in the 2016 election, legendary and feared editor-in-chief of &lt;i&gt;Vogue &lt;/i&gt;Anna Wintour arrived early to work, as always, and called an emergency meeting. While addressing her team, something unprecedented took place: she broke down in tears. The episode opens &lt;i&gt;Anna: The Biography&lt;/i&gt;, a new release from journalist Amy Odell that focuses on the powerful editor who for decades has decided what’s hot and what’s not.&lt;/p&gt;&lt;p&gt;&lt;a href="https://english.elpais.com/culture/2026-05-10/amy-odell-anna-wintour-biographer-her-driving-force-is-amassing-power-consolidating-her-power.html" target="_blank"&gt;Seguir leyendo&lt;/a&gt;&lt;/p&gt;</content:encoded>
    </item>
    <item>
      <guid isPermaLink="true">https://english.elpais.com/culture/2026-05-10/jack-antonoff-i-dont-give-a-shit-about-radio-or-sales-or-anything-im-only-trying-do-something-great.html</guid>
      <title>Jack Antonoff: ‘I don’t give a shit about radio or sales or anything. I’m only trying do something great’</title>
      <pubDate>Sun, 10 May 2026 04:00:00 GMT</pubDate>
      <link>https://english.elpais.com/culture/2026-05-10/jack-antonoff-i-dont-give-a-shit-about-radio-or-sales-or-anything-im-only-trying-do-something-great.html</link>
      <dc:creator>Iñigo López Palacios</dc:creator>
      <dcterms:alternative>From Taylor Swift to Kendrick Lamar and Lorde, the sought-after producer has shaped the sound of some of the biggest stars of the last 10 years. Now he’s releasing a new album with his own band, Bleachers</dcterms:alternative>
      <description>From Taylor Swift to Kendrick Lamar and Lorde, the sought-after producer has shaped the sound of some of the biggest stars of the last 10 years. Now he’s releasing a new album with his own band, Bleachers</description>
      <category>Jack Antonoff</category>
      <category>Taylor Swift</category>
      <category>Kendrick Lamar</category>
      <category>Lorde</category>
      <category>Rosalía</category>
      <media:content url="https://images.english.elpais.com/resizer/v2/PAWS4V4DYVDEBBXNHCIV3U3Z2U.jpg?auth=e80d4e176eb841ac14a0011c5f201f8cff39920e96350a372e50521553f54382" type="image/jpeg" medium="image">
        <media:credit>Kuba Ryniewicz (EL PAÍS)</media:credit>
        <media:title>Jack Antonoff para ICON</media:title>
        <media:text>Jack Antonoff, in a Prada shirt, shaving his head at Hotel Rosewood in London on March 31, 2026, the day he was turning 42.</media:text>
        <media:description>Jack Antonoff, in a Prada shirt, shaving his head at Hotel Rosewood in London on March 31, 2026, the day he was turning 42.</media:description>
      </media:content>
      <atom:link href="https://english.elpais.com/culture/2026-05-04/rosalia-you-need-to-be-able-to-joke-around-and-have-a-sense-of-humor-in-life.html" title="Rosalía: ‘You need to be able to joke around and have a sense of humor in life’" rel="related">
        <media:thumbnail url="https://images.english.elpais.com/resizer/v2/TVCACDCL75HPBC563LBC3BNK54.jpg?auth=e7e3affeabc2ec3265850734d453dd16cb2cd35de988fc5f021b5504fae55385" height="2500" width="4444"/>
      </atom:link>
      <atom:link href="https://english.elpais.com/people/2026-05-01/cara-delevingnes-many-reinventions-the-rebel-model-now-making-the-leap-to-music.html" title="Cara Delevingne’s many reinventions: The rebel model now making the leap to music " rel="related">
        <media:thumbnail url="https://images.english.elpais.com/resizer/v2/PR6KE6ALUZH43IYX7RXUXE24PI.jpg?auth=a92cf5407e98ab0eb6029a0b74f64ef2f059e3b015c87c7ddc13d7da8b82940f" height="3702" width="5553"/>
      </atom:link>
      <content:encoded>&lt;p&gt;“I don’t give a shit about radio or sales or anything. I’m only trying do something great,” says Jack Antonoff. Despite what it may seem, the tone isn’t aggressive. The New Jersey native is direct and elaborates on his answers, but he’s a nice, polite guy. And the day of the interview, March 31, happened to be his birthday. The busiest man &lt;a href="https://english.elpais.com/culture/2026-03-15/sold-out-as-a-fictional-story-how-the-music-industry-learned-to-sell-success-even-when-it-didnt-exist.html" target="_self" rel="" title="https://english.elpais.com/culture/2026-03-15/sold-out-as-a-fictional-story-how-the-music-industry-learned-to-sell-success-even-when-it-didnt-exist.html"&gt;in the music industry&lt;/a&gt; was turning 42, and instead of celebrating with his wife, the actress Margaret Qualley, he was at the Rosewood Hotel in London granting this interview to EL PAÍS’ fashion supplement ICON under heart-shaped balloons brought by his team. “Don’t worry, this isn’t a part of the job I dislike,” he replies to apologies for spoiling such a special day.&lt;/p&gt;&lt;p&gt;&lt;a href="https://english.elpais.com/culture/2026-05-10/jack-antonoff-i-dont-give-a-shit-about-radio-or-sales-or-anything-im-only-trying-do-something-great.html" target="_blank"&gt;Seguir leyendo&lt;/a&gt;&lt;/p&gt;</content:encoded>
    </item>
    <item>
      <guid isPermaLink="true">https://english.elpais.com/culture/2026-05-09/a-pop-and-a-hiss-what-happens-to-a-singer-when-they-lose-their-voice.html</guid>
      <title>‘A pop and a hiss’: What happens to a singer when they lose their voice? </title>
      <pubDate>Sat, 09 May 2026 04:00:00 GMT</pubDate>
      <link>https://english.elpais.com/culture/2026-05-09/a-pop-and-a-hiss-what-happens-to-a-singer-when-they-lose-their-voice.html</link>
      <dc:creator>Jordi Bardají</dc:creator>
      <dcterms:alternative>The loss of the most valuable instrument for someone who makes a living from singing has led to artists reinventing themselves – like Joanna Newsom – and others who have faced far more dramatic circumstances, like Julie Andrews </dcterms:alternative>
      <description>The loss of the most valuable instrument for someone who makes a living from singing has led to artists reinventing themselves – like Joanna Newsom – and others who have faced far more dramatic circumstances, like Julie Andrews </description>
      <category>Julie Andrews</category>
      <category>Joanna Newsom</category>
      <category>The Weeknd</category>
      <category>Bjork</category>
      <category>Amaia Montero</category>
      <category>Mariah Carey</category>
      <media:content url="https://images.english.elpais.com/resizer/v2/KRYNBUS4E5GWXF7UKUPK4GKOHE.jpg?auth=62e8bd45d5f9b8947315701cf27c457843593476cdb1dcb9fd7ce6e79bc51839" type="image/jpeg" medium="image">
        <media:credit>Getty Images / Pepa Ortiz (Collage) (EL PAÍS)</media:credit>
        <media:title>Cantantes voz ICON</media:title>
      </media:content>
      <atom:link href="https://english.elpais.com/culture/2026-03-17/from-saint-to-raver-rosalia-opens-lux-world-tour-by-exploring-all-her-incarnations.html" title="From saint to raver: Rosalía opens ‘Lux’ world tour by exploring all her incarnations" rel="related">
        <media:thumbnail url="https://images.english.elpais.com/resizer/v2/AUTQLC66TZACRCIE624AQCV7IA.jpg?auth=aed451d1214a3d0be9f3d2d85a9be2d3e89b99358d14ebda8b33014fb624a6b5" height="743" width="1320"/>
      </atom:link>
      <atom:link href="https://english.elpais.com/culture/2025-10-21/meredith-monk-the-voice-as-a-spark-of-a-sonic-revolution.html" title="Meredith Monk, the voice as a spark of a sonic revolution" rel="related">
        <media:thumbnail url="https://images.english.elpais.com/resizer/v2/XLMWVHJMPZAX3BLFEI55XQ2DKQ.jpg?auth=5b831966bb8d10c71d14db7cfff0f6cc6a4adfb16a446f73e099fd4dbfafe95e" height="3840" width="5760"/>
      </atom:link>
      <content:encoded>&lt;p&gt;“A pop and a hiss,” like when you crack open a can of soda. This is the sound a voice can make when it breaks. &lt;/p&gt;&lt;p&gt;&lt;a href="https://english.elpais.com/culture/2026-05-09/a-pop-and-a-hiss-what-happens-to-a-singer-when-they-lose-their-voice.html" target="_blank"&gt;Seguir leyendo&lt;/a&gt;&lt;/p&gt;</content:encoded>
    </item>
    <item>
      <guid isPermaLink="true">https://english.elpais.com/culture/2026-05-09/down-the-pipes-with-super-mario-an-interactive-journey.html</guid>
      <title>Down the pipes with Super Mario: An interactive journey</title>
      <pubDate>Sat, 09 May 2026 04:00:00 GMT</pubDate>
      <link>https://english.elpais.com/culture/2026-05-09/down-the-pipes-with-super-mario-an-interactive-journey.html</link>
      <dc:creator>Tommaso Koch ,Fernando Anido Méndez,Jorge Morla ,Brenda Valverde Rubio</dc:creator>
      <dcterms:alternative>We review the origins, milestones and keys to the triumph of the most famous video game icon, who is celebrating 45 years since his debut, 40 years since his first solo adventure and the box office success of his new movie</dcterms:alternative>
      <description>We review the origins, milestones and keys to the triumph of the most famous video game icon, who is celebrating 45 years since his debut, 40 years since his first solo adventure and the box office success of his new movie</description>
      <category>Nintendo</category>
      <category>Super Mario 64</category>
      <category>Shigeru Miyamoto</category>
      <atom:link href="https://english.elpais.com/economy-and-business/2025-06-03/from-mario-to-the-barrio-globalization-explained-through-the-nintendo-switch-2.html" title="Who makes a Nintendo? Globalization explained through the new Switch 2" rel="related">
        <media:thumbnail url="https://images.english.elpais.com/resizer/v2/RZEK5XSBDFB3HCQ2H7XULJI3NA.png?auth=41d1177804054a3689f88af7212f7151be53657cf7b8b4f4df82858c02a8ced4" height="1351" width="2401"/>
      </atom:link>
      <atom:link href="https://english.elpais.com/culture/2026-01-17/super-mario-sonic-and-lara-croft-video-game-icons-celebrate-milestone-anniversaries.html" title="Super Mario, Sonic and Lara Croft: Video game icons celebrate milestone anniversaries " rel="related">
        <media:thumbnail url="https://images.english.elpais.com/resizer/v2/Z653R6JGOKMSBXPSR5VH2SDJSA.jpg?auth=453879dd4ce4b2ae1e6ed1221034a0f2d1e6ec3bad445dab1cb7b3689a815c24" height="1500" width="2886"/>
      </atom:link>
      <content:encoded>&lt;p&gt;Mario never has time. He’s always rushing off towards the next adventure. When he’s not saving worlds, or his beloved Peach, he’s racing cars, playing tennis, healing patients, or dancing. “Mario excels at sports including tennis, golf, baseball, soccer, and even kart racing. He’s good at all of them! He’s a plumber by profession but is really a jack of all trades,” reads his profile on the Nintendo website. “Mario is always bright and cheerful.” &lt;/p&gt;&lt;p&gt;&lt;a href="https://english.elpais.com/culture/2026-05-09/down-the-pipes-with-super-mario-an-interactive-journey.html" target="_blank"&gt;Seguir leyendo&lt;/a&gt;&lt;/p&gt;&lt;h3&gt;Coordination:&lt;/h3&gt;&lt;p&gt;Brenda Valverde Rubio&lt;/p&gt;&lt;h3&gt;Design:&lt;/h3&gt;&lt;p&gt;Ana Fernández and Ruth Benito&lt;/p&gt;&lt;h3&gt;Art direction:&lt;/h3&gt;&lt;p&gt;Ruth Benito&lt;/p&gt;&lt;h3&gt;Development:&lt;/h3&gt;&lt;p&gt;Fernando Anido and Alejandro Gallardo&lt;/p&gt;</content:encoded>
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      <guid isPermaLink="true">https://english.elpais.com/culture/2026-05-09/philip-sharkey-the-eye-behind-celebrity-passport-photos-they-came-without-assistants-or-makeup-artists-they-were-simply-themselves.html</guid>
      <title>Philip Sharkey, the eye behind celebrity passport photos: ‘They came without assistants or makeup artists, they were simply themselves’  </title>
      <pubDate>Sat, 09 May 2026 04:00:00 GMT</pubDate>
      <link>https://english.elpais.com/culture/2026-05-09/philip-sharkey-the-eye-behind-celebrity-passport-photos-they-came-without-assistants-or-makeup-artists-they-were-simply-themselves.html</link>
      <dc:creator>Ixone Arana </dc:creator>
      <dcterms:alternative>The London‑based photographer has published a collection of the hundreds of images of Hollywood stars his family took in their Oxford Street studio, from Christopher Reeve and Kate Winslet to Sean Connery and George Michael</dcterms:alternative>
      <description>The London‑based photographer has published a collection of the hundreds of images of Hollywood stars his family took in their Oxford Street studio, from Christopher Reeve and Kate Winslet to Sean Connery and George Michael</description>
      <category>George Michael</category>
      <category>Hollywood</category>
      <category>Kate Winslet</category>
      <category>Donald Sutherland</category>
      <category>Sean Connery</category>
      <category>Rod Stewart</category>
      <media:content url="https://images.english.elpais.com/resizer/v2/3PGIEJ3FLVEYBNAGDIOJ5QNYOE.jpg?auth=3931ad91e1feb50e031426a765c9aeaa314dd213d6496a7a0265383a62a4a265" type="image/jpeg" medium="image">
        <media:credit>Phaidon Press</media:credit>
        <media:title>Philip Sharkey celebrity ID photos</media:title>
        <media:text>Above, a passport photo of Joan Collins taken in 1979 and of Sean Connery in 1982. Below, a photo of Mick Jagger taken in 1976 and one of Kate Winslet in 1997.</media:text>
        <media:description>Above, a passport photo of Joan Collins taken in 1979 and of Sean Connery in 1982. Below, a photo of Mick Jagger taken in 1976 and one of Kate Winslet in 1997.</media:description>
      </media:content>
      <atom:link href="https://english.elpais.com/culture/2026-05-06/pedro-alonso-bids-farewell-to-berlin-the-character-has-made-me-soar-and-the-best-way-to-honor-it-was-to-let-it-go.html" title="Pedro Alonso bids farewell to Berlin: ‘The character allowed me to soar, and the best way to honor this was to let it go’" rel="related">
        <media:thumbnail url="https://images.english.elpais.com/resizer/v2/R76TPJBY2JFLDDYHBSRNRXWPBU.jpg?auth=b00d3e1ea78faa9c63193732e8346ce6a4b571eb3d8d00be002c016d1bac1021" height="8736" width="11648"/>
      </atom:link>
      <atom:link href="https://english.elpais.com/culture/2026-05-04/rosalia-you-need-to-be-able-to-joke-around-and-have-a-sense-of-humor-in-life.html" title="Rosalía: ‘You need to be able to joke around and have a sense of humor in life’" rel="related">
        <media:thumbnail url="https://imagenes.elpais.com/resizer/v2/TVCACDCL75HPBC563LBC3BNK54.jpg?auth=e7e3affeabc2ec3265850734d453dd16cb2cd35de988fc5f021b5504fae55385" height="2500" width="4444"/>
      </atom:link>
      <content:encoded>&lt;p&gt;There is a type of photograph that can disarm even the most photogenic subject: the passport photo. That small, no‑frills portrait levels everyone — anonymous and well‑known, rich and poor, beautiful and not so much. Everyone needs one at some point and submits to the same ritual: sitting up straight before the flash with an expression as neutral as the backdrop behind them. Some people come out unscathed; others feel the image doesn’t represent them. &lt;/p&gt;&lt;p&gt;&lt;a href="https://english.elpais.com/culture/2026-05-09/philip-sharkey-the-eye-behind-celebrity-passport-photos-they-came-without-assistants-or-makeup-artists-they-were-simply-themselves.html" target="_blank"&gt;Seguir leyendo&lt;/a&gt;&lt;/p&gt;</content:encoded>
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      <guid isPermaLink="true">https://english.elpais.com/eps/2026-05-08/the-organ-is-back-how-a-fiendishly-complex-baroque-instrument-has-become-fashionable-again.html</guid>
      <title>The organ is back: How a fiendishly complex Baroque instrument has become fashionable again</title>
      <pubDate>Fri, 08 May 2026 13:45:37 GMT</pubDate>
      <link>https://english.elpais.com/eps/2026-05-08/the-organ-is-back-how-a-fiendishly-complex-baroque-instrument-has-become-fashionable-again.html</link>
      <dc:creator>Carlos Primo </dc:creator>
      <dcterms:alternative>It is the most modern of early instruments. Mastering it requires effort and a great deal of passion. Five organists —ranging in age from 26 to 100 — reveal the secrets of a machine capable of producing both Bach and a film soundtrack</dcterms:alternative>
      <description>It is the most modern of early instruments. Mastering it requires effort and a great deal of passion. Five organists —ranging in age from 26 to 100 — reveal the secrets of a machine capable of producing both Bach and a film soundtrack</description>
      <category>Barcelona</category>
      <category>Sagrada Familia</category>
      <category>Johann Sebastian Bach</category>
      <category>Benjamin Britten</category>
      <category>Milán</category>
      <media:content url="https://images.english.elpais.com/resizer/v2/7CUSKOJHLFAEJBSQHWNXHBDJBU.JPG?auth=4e6412d29b830f5eae9fe468925364b1732787ec61f9f62a2240d3dd5d6c2728" type="image/jpeg" medium="image">
        <media:credit>Vicens Gimenez (EL PAÍS)</media:credit>
        <media:title>The organ is back</media:title>
        <media:text>Juan de la Rubia, organist of the Sagrada Familia, before the Blancafort organ of the basilica.</media:text>
        <media:description>Juan de la Rubia, organist of the Sagrada Familia, before the Blancafort organ of the basilica.</media:description>
      </media:content>
      <atom:link href="https://english.elpais.com/eps/2026-04-09/sara-flores-the-peruvian-indigenous-artist-bringing-amazonian-traditions-into-contemporary-art.html" title="Sara Flores, the Peruvian Indigenous artist bringing Amazonian traditions into contemporary art" rel="related">
        <media:thumbnail url="https://images.english.elpais.com/resizer/v2/PFVSSRJR3JDKDJYVNIZX6CHUTY.JPG?auth=de2b5212a7d09a84e5fb67bd208390c4a025d3144a577960a6d912eb3bbe6610" height="2025" width="2700"/>
      </atom:link>
      <atom:link href="https://english.elpais.com/eps/2025-11-22/warren-ellis-nick-cave-told-me-he-got-me-in-the-band-because-i-was-fun-to-take-drugs-with.html" title="Warren Ellis: ‘Nick Cave told me he got me in the band because I was fun to take drugs with’ " rel="related">
        <media:thumbnail url="https://images.english.elpais.com/resizer/v2/GKQKPDN5QVHBJEVC2TIQHTAXTY.jpg?auth=309b8b665b56eeb32becbd9031b8d973bf0f28a997334b5ae20c351721f80709" height="2700" width="1801"/>
      </atom:link>
      <content:encoded>&lt;p&gt;The first organ Montserrat Torrent ever played, at age 18, was in a chapel in Santa Coloma de Farners in the Spanish city of Girona, where her family spent their summers. “It was a simple organ, without pedal stops, but it was good,” she says. “I tried to play absurd things, like Chopin’s nocturnes, but there was no way to make them sound right.” &lt;/p&gt;&lt;p&gt;&lt;a href="https://english.elpais.com/eps/2026-05-08/the-organ-is-back-how-a-fiendishly-complex-baroque-instrument-has-become-fashionable-again.html" target="_blank"&gt;Seguir leyendo&lt;/a&gt;&lt;/p&gt;</content:encoded>
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      <guid isPermaLink="true">https://english.elpais.com/culture/2026-05-08/the-black-legacy-that-spain-left-out-of-its-official-history.html</guid>
      <title>The Black legacy that Spain left out of its official history </title>
      <pubDate>Fri, 08 May 2026 12:59:25 GMT</pubDate>
      <link>https://english.elpais.com/culture/2026-05-08/the-black-legacy-that-spain-left-out-of-its-official-history.html</link>
      <dc:creator>Patricia R. Blanco </dc:creator>
      <dcterms:alternative>Valencia joins a growing number of Spanish cities revisiting their slave-trading past with guided tours and activities designed to recover the stories of communities long erased from public memory </dcterms:alternative>
      <description>Valencia joins a growing number of Spanish cities revisiting their slave-trading past with guided tours and activities designed to recover the stories of communities long erased from public memory </description>
      <category>Planeta Futuro</category>
      <category>Valencia</category>
      <category>Madrid</category>
      <category>Barcelona</category>
      <category>Cádiz</category>
      <media:content url="https://images.english.elpais.com/resizer/v2/6AAXF2Y2TBF3TB6P3CBEIHQURE.jpg?auth=3f6cff14ce439e528d27ab636ab31a50540fe21306b56c3e6513cc03d81a3349" type="image/jpeg" medium="image">
        <media:credit>KIKE TABERNER (EL PAÍS)</media:credit>
        <media:title>Spain’s slave‑trading past</media:title>
        <media:text>Deborah Ekoka leads a tour in Valencia on April 30.</media:text>
        <media:description>Deborah Ekoka leads a tour in Valencia on April 30.</media:description>
      </media:content>
      <atom:link href="https://english.elpais.com/culture/2025-01-18/black-history-is-a-horror-story-literature-and-horror-films-confront-racism-in-the-trump-era.html" title="‘Black history is a horror story’: Literature and horror films confront racism in the Trump era  " rel="related">
        <media:thumbnail url="https://images.english.elpais.com/resizer/v2/HUE3Y3IS7RP4XIRZXII6263QBY.jpg?auth=0d6aae4ef9d2dfc59f9ac35ddc025caf959eb0f181113525880ba9bd6c402a8d" height="550" width="980"/>
      </atom:link>
      <atom:link href="https://english.elpais.com/culture/2024-12-01/fred-kudjo-kuwornu-filmmaker-the-study-of-slavery-monopolizes-everything-and-creates-a-prejudice-that-in-europe-there-were-only-enslaved-africans.html" title="Fred Kudjo Kuwornu, filmmaker: ‘The study of slavery monopolizes everything and creates a prejudice that in Europe there were only enslaved Africans’" rel="related">
        <media:thumbnail url="https://images.english.elpais.com/resizer/v2/JLFVJOPBFRHIPCLZSNFUMU6ULU.jpg?auth=cd58fd7b10f8281d2252e9faf93eaeb45233a07ff4d754b69066d86ef5f7ef2c" height="4128" width="6756"/>
      </atom:link>
      <content:encoded>&lt;img src="https://images.english.elpais.com/resizer/v2/6AAXF2Y2TBF3TB6P3CBEIHQURE.jpg?auth=3f6cff14ce439e528d27ab636ab31a50540fe21306b56c3e6513cc03d81a3349" width="5244" height="3496" alt="Deborah Ekoka leads a tour in Valencia on April 30."&gt;&lt;/img&gt;&lt;p&gt;The Central Market Square in Valencia, now filled with outdoor cafes and tourists photographing its modernist dome, was for centuries one of the main sites of the slave trade in the Spanish city. This is clearly documented by archival documents: from the late 15th century, this was one of the entry points for enslaved Africans. Just a few meters away, in the now-demolished Posada del Camell, more than a hundred people were sometimes crammed together in chains, waiting to be auctioned off. And yet, there is not a single plaque to commemorate it.&lt;/p&gt;&lt;p&gt;&lt;a href="https://english.elpais.com/culture/2026-05-08/the-black-legacy-that-spain-left-out-of-its-official-history.html" target="_blank"&gt;Seguir leyendo&lt;/a&gt;&lt;/p&gt;&lt;img src="https://images.english.elpais.com/resizer/v2/USYHIPB7MRCQHKANGZUDHRHK7U.jpg?auth=28b2c34a17127a48b10f06740fcc5f810433e70693260d1045ffbf921f602cfa" width="6048" height="4032" alt="Deborah Ekoka, during the tour she organized in Valencia, on April 30."&gt;&lt;/img&gt;</content:encoded>
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      <guid isPermaLink="true">https://english.elpais.com/culture/2026-05-08/jim-sheridan-filmmaker-my-mother-never-celebrated-her-birthday-because-she-believed-herself-guilty-of-my-grandmothers-death.html</guid>
      <title>Jim Sheridan, filmmaker: ‘My mother never celebrated her birthday because she believed herself guilty of my grandmother’s death’</title>
      <pubDate>Fri, 08 May 2026 12:57:46 GMT</pubDate>
      <link>https://english.elpais.com/culture/2026-05-08/jim-sheridan-filmmaker-my-mother-never-celebrated-her-birthday-because-she-believed-herself-guilty-of-my-grandmothers-death.html</link>
      <dc:creator>Gregorio Belinchón Yagüe</dc:creator>
      <dcterms:alternative>The director of ‘In the Name of the Father’ and ‘The Boxer’ depicts a real-life murder in Ireland in ‘Re-creation’s’ fictionalized courtroom trial</dcterms:alternative>
      <description>The director of ‘In the Name of the Father’ and ‘The Boxer’ depicts a real-life murder in Ireland in ‘Re-creation’s’ fictionalized courtroom trial</description>
      <category>Hollywood</category>
      <category>Jim Sheridan</category>
      <category>Daniel Day Lewis</category>
      <category>Sidney Lumet</category>
      <media:content url="https://vdmedia.elpais.com/mcv/elpais/multimedia/20260505/1167643_173450_video_1800.mp4" duration="94640" type="video/mp4" medium="video">
        <media:credit/>
        <media:title>Trailer of 'Re-creation'</media:title>
        <media:text>Jim Sheridan in a hotel in Madrid</media:text>
        <media:description>Jim Sheridan in a hotel in Madrid</media:description>
        <media:thumbnail url="https://images.english.elpais.com/resizer/v2/YSGN2OUTKJDDPEPVILCWBYER4Y.JPG?auth=fdfd7a401df7f0a74467158b2239becc0fd76453965c5bdd0591e5045e2133cb"/>
      </media:content>
      <atom:link href="https://english.elpais.com/culture/2026-05-06/pedro-alonso-bids-farewell-to-berlin-the-character-has-made-me-soar-and-the-best-way-to-honor-it-was-to-let-it-go.html" title="Pedro Alonso bids farewell to Berlin: ‘The character allowed me to soar, and the best way to honor this was to let it go’" rel="related">
        <media:thumbnail url="https://images.english.elpais.com/resizer/v2/R76TPJBY2JFLDDYHBSRNRXWPBU.jpg?auth=b00d3e1ea78faa9c63193732e8346ce6a4b571eb3d8d00be002c016d1bac1021" height="8736" width="11648"/>
      </atom:link>
      <atom:link href="https://english.elpais.com/culture/2026-05-04/ai-weiwei-the-venice-biennale-should-not-make-value-judgments-about-political-positions-otherwise-its-censorship.html" title="Ai Weiwei: ‘The Venice Biennale should not make value judgments about political positions. Otherwise, it’s censorship’" rel="related">
        <media:thumbnail url="https://images.english.elpais.com/resizer/v2/EMFP6URFS5HYFI4BJCPGAYVMEE.jpg?auth=598abbb0f23160b73f96831739687bcf920a8d15740cf0848c22d6fc994cfe52" height="2261" width="3088"/>
      </atom:link>
      <content:encoded>&lt;p&gt;It’s time for the interview and Dubliner Jim Sheridan, 77, has not yet appeared. The press pack have been warned. That morning, in the Madrid hotel where he is staying, there was no tortilla. And after asking at reception, he has sought out a &lt;i&gt;pincho&lt;/i&gt; with his wife in the neighborhood. “He said that he loves it and wanted to get his hands on a good one,” the press was told. Through the windows of the hotel, you can see the man who made &lt;i&gt;My Left Foot&lt;/i&gt;, &lt;i&gt;The Field, In the Name of the Father, The Boxer,&lt;/i&gt; and &lt;i&gt;In America&lt;/i&gt;, walking at a leisurely pace, which is reflected in his delivery during the interview. He likes to talk but calmly.&lt;/p&gt;&lt;p&gt;&lt;a href="https://english.elpais.com/culture/2026-05-08/jim-sheridan-filmmaker-my-mother-never-celebrated-her-birthday-because-she-believed-herself-guilty-of-my-grandmothers-death.html" target="_blank"&gt;Seguir leyendo&lt;/a&gt;&lt;/p&gt;</content:encoded>
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      <guid isPermaLink="true">https://english.elpais.com/culture/2026-05-08/a-pet-food-entrepreneur-and-a-demand-to-promote-american-values-trumps-cultural-offensive-hits-the-venice-biennale.html</guid>
      <title>A pet food entrepreneur and a demand to ‘promote American values’: Trump’s cultural offensive hits the Venice Biennale</title>
      <pubDate>Fri, 08 May 2026 09:51:39 GMT</pubDate>
      <link>https://english.elpais.com/culture/2026-05-08/a-pet-food-entrepreneur-and-a-demand-to-promote-american-values-trumps-cultural-offensive-hits-the-venice-biennale.html</link>
      <dc:creator>Álex Vicente</dc:creator>
      <dcterms:alternative>The US is being represented at the great art event by Alma Allen, a self-taught sculptor who was chosen after a late call reoriented towards MAGA ideology</dcterms:alternative>
      <description>The US is being represented at the great art event by Alma Allen, a self-taught sculptor who was chosen after a late call reoriented towards MAGA ideology</description>
      <category>Donald Trump</category>
      <category>MAGA</category>
      <category>Israel</category>
      <category>Bienal Venecia</category>
      <media:content url="https://images.english.elpais.com/resizer/v2/LXNGW7EODRNJPH726NH6ISXGHA.jpg?auth=770a7079e53adc65927f905500fa2389b4897e25ecd86260d3155974a1f30887" type="image/jpeg" medium="image">
        <media:credit>Luca Bruno (AP)</media:credit>
        <media:title>Italy Venice Biennale Alma Allen</media:title>
        <media:text>The sculptor Alma Allen, on Tuesday outside the US pavilion at the Venice Biennale.</media:text>
        <media:description>The sculptor Alma Allen, on Tuesday outside the US pavilion at the Venice Biennale.</media:description>
      </media:content>
      <atom:link href="https://english.elpais.com/culture/2026-05-07/pukkart-the-tech-guardian-against-fraud-in-works-of-art.html" title="Pukkart, the tech guardian against fraud in works of art" rel="related">
        <media:thumbnail url="https://images.english.elpais.com/resizer/v2/7WGXHVGOURFL7BRROKPF5MNNUU.jpg?auth=166339b1dbe87362e30ec55e8a8e86f61abbc8474f9752274dcf942f6a8c13b3" height="1800" width="2700"/>
      </atom:link>
      <atom:link href="https://english.elpais.com/culture/2026-05-04/ai-weiwei-the-venice-biennale-should-not-make-value-judgments-about-political-positions-otherwise-its-censorship.html" title="Ai Weiwei: ‘The Venice Biennale should not make value judgments about political positions. Otherwise, it’s censorship’" rel="related">
        <media:thumbnail url="https://images.english.elpais.com/resizer/v2/EMFP6URFS5HYFI4BJCPGAYVMEE.jpg?auth=598abbb0f23160b73f96831739687bcf920a8d15740cf0848c22d6fc994cfe52" height="2261" width="3088"/>
      </atom:link>
      <content:encoded>&lt;p&gt;The United States is at the Venice Biennale with yet another example of Donald Trump’s cultural offensive: with an unexpected artist who was chosen after a fraught selection process, and with the pavilion in the hands of an individual with no experience in the art world but well-connected to the president’s inner circle. The major contemporary art event is itself also surrounded by political tensions sparked by the participation of Russia &lt;a href="https://english.elpais.com/international/2026-05-07/hondurasgate-the-alleged-us-and-israeli-interference-plot-to-destabilize-mexico-and-other-progressive-governments.html" target="_self" rel="" title="https://english.elpais.com/international/2026-05-07/hondurasgate-the-alleged-us-and-israeli-interference-plot-to-destabilize-mexico-and-other-progressive-governments.html"&gt;and Israel&lt;/a&gt;.&lt;/p&gt;&lt;p&gt;&lt;a href="https://english.elpais.com/culture/2026-05-08/a-pet-food-entrepreneur-and-a-demand-to-promote-american-values-trumps-cultural-offensive-hits-the-venice-biennale.html" target="_blank"&gt;Seguir leyendo&lt;/a&gt;&lt;/p&gt;&lt;img src="https://images.english.elpais.com/resizer/v2/UY4LI37MGVHS5KMGIPNMXR6YGY.jpg?auth=399e1cfe3a9adb46753fac91ffdef74b4850f44b697549d9da00da5fa44ee609" width="2244" height="1683" alt="Tres obras de Alma Allen, en el interior del pabellón estadounidense en la Bienal de Venecia."&gt;&lt;/img&gt;</content:encoded>
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      <guid isPermaLink="true">https://english.elpais.com/culture/2026-05-07/pukkart-the-tech-guardian-against-fraud-in-works-of-art.html</guid>
      <title>Pukkart, the tech guardian against fraud in works of art</title>
      <pubDate>Thu, 07 May 2026 10:56:16 GMT</pubDate>
      <link>https://english.elpais.com/culture/2026-05-07/pukkart-the-tech-guardian-against-fraud-in-works-of-art.html</link>
      <dc:creator>Ginés Donaire</dc:creator>
      <dcterms:alternative>The company is developing a platform that certifies traceability and certifies authorship in newly registered works</dcterms:alternative>
      <description>The company is developing a platform that certifies traceability and certifies authorship in newly registered works</description>
      <category>Diego Velázquez</category>
      <category>Córdoba</category>
      <category>Murillo</category>
      <media:content url="https://images.english.elpais.com/resizer/v2/7WGXHVGOURFL7BRROKPF5MNNUU.jpg?auth=166339b1dbe87362e30ec55e8a8e86f61abbc8474f9752274dcf942f6a8c13b3" type="image/jpeg" medium="image">
        <media:credit>EL PAÍS</media:credit>
        <media:title>NEGOCIOS 03/05/2026 PUKKART</media:title>
        <media:text>Pukkart's art identification system.</media:text>
        <media:description>Pukkart's art identification system.</media:description>
      </media:content>
      <atom:link href="https://english.elpais.com/culture/2025-05-25/the-artistic-movement-that-anticipated-the-algorithm.html" title="The artistic movement that anticipated the algorithm" rel="related">
        <media:thumbnail url="https://imagenes.elpais.com/resizer/v2/IIMPJC5ZVFG5RD67Q6YH7UMCVY.jpg?auth=bb1256325aa21a52f7597cf6be4322d5c9dd2bcc7987da799694d4c8610327d1" height="1260" width="1239"/>
      </atom:link>
      <atom:link href="https://english.elpais.com/technology/2024-04-12/refik-anadol-the-artist-who-brought-ai-to-moma-were-in-a-new-renaissance.html" title="Refik Anadol, the artist who brought AI to MoMA: ‘We’re in a new Renaissance’" rel="related">
        <media:thumbnail url="https://imagenes.elpais.com/resizer/v2/5RCPLA5YSRCIVOMP6T2FUEXLVE.jpg?auth=b8ecd1fd6a820bdb299aeaa13a51b741a047832597723b6bd2764a447fcc709b" height="2639" width="4627"/>
      </atom:link>
      <content:encoded>&lt;p&gt;The world of art resale has long been associated with &lt;a href="https://english.elpais.com/culture/2023-10-28/the-unending-fight-against-fake-works-of-art.html" target="_self" rel="" title="https://english.elpais.com/culture/2023-10-28/the-unending-fight-against-fake-works-of-art.html"&gt;the shadow of fraud&lt;/a&gt;. Against this backdrop, two researchers from the University of Córdoba in Spain decided five years ago to tackle the problem head-on. Building upon the company DigitArt, they created Pukkart, a technology platform specializing in the physical and digital certification of artworks and other goods.&lt;/p&gt;&lt;p&gt;&lt;a href="https://english.elpais.com/culture/2026-05-07/pukkart-the-tech-guardian-against-fraud-in-works-of-art.html" target="_blank"&gt;Seguir leyendo&lt;/a&gt;&lt;/p&gt;</content:encoded>
    </item>
    <item>
      <guid isPermaLink="true">https://english.elpais.com/culture/2026-05-06/the-abidjan-market-for-performing-arts-a-stage-for-african-music-theater-and-dance.html</guid>
      <title>The Abidjan Performing Arts Market: A stage for African music, theater and dance</title>
      <pubDate>Thu, 07 May 2026 10:05:58 GMT</pubDate>
      <link>https://english.elpais.com/culture/2026-05-06/the-abidjan-market-for-performing-arts-a-stage-for-african-music-theater-and-dance.html</link>
      <dc:creator>Ángeles Lucas</dc:creator>
      <dcterms:alternative>The April event in Ivory Coast broke records with the presence of 320 festival programmers from 72 countries, showcasing the vigor of creativity on the continent</dcterms:alternative>
      <description>The April event in Ivory Coast broke records with the presence of 320 festival programmers from 72 countries, showcasing the vigor of creativity on the continent</description>
      <category>África</category>
      <category>Aviñón</category>
      <category>Bolivia</category>
      <category>India</category>
      <category>Madrid</category>
      <category>Malí</category>
      <media:content url="https://images.english.elpais.com/resizer/v2/RO3XOIS2EFG47NTQQPDCOLL7VQ.JPG?auth=0dc4e802d2722484c70d4557fcbbc452b61800732abf2d74a068759d4b48e05e" type="image/jpeg" medium="image">
        <media:credit>MASA (EL PAÍS)</media:credit>
        <media:title>Abidjan Performing Arts Market</media:title>
        <media:text>A scene from the contemporary dance piece 'How Art Began' by Mounir Saeed, at the 14th edition of the Abidjan Performing Arts Market.</media:text>
        <media:description>A scene from the contemporary dance piece 'How Art Began' by Mounir Saeed, at the 14th edition of the Abidjan Performing Arts Market.</media:description>
      </media:content>
      <atom:link href="https://english.elpais.com/culture/2026-03-10/rhythms-that-cross-the-borders-of-africa.html" title="Rhythms that cross the borders of Africa" rel="related">
        <media:thumbnail url="https://images.english.elpais.com/resizer/v2/MGSMRPRLQZHINMDLL7MCH6RML4.jpg?auth=f11b5fc241dec377ff25a393871f809ee8a8c7abbbd71e3c12fada515e44ba51" height="2155" width="3749"/>
      </atom:link>
      <atom:link href="https://english.elpais.com/culture/2025-08-29/elliot-erick-photographers-we-want-to-talk-about-afro-cuban-religions-in-a-more-contemporary-way.html" title="Elliot &amp; Erick, photographers: ‘We want to talk about Afro-Cuban religions in a more contemporary way’" rel="related">
        <media:thumbnail url="https://images.english.elpais.com/resizer/v2/2L3RYWCFOVDCZJ664XQIVVZK4A.jpeg?auth=cf69de86e7b383c21b53b76f5a498c3e2ca3154fae0ac8f462358cc0434a6704" height="2315" width="3000"/>
      </atom:link>
      <content:encoded>&lt;img src="https://images.english.elpais.com/resizer/v2/RO3XOIS2EFG47NTQQPDCOLL7VQ.JPG?auth=0dc4e802d2722484c70d4557fcbbc452b61800732abf2d74a068759d4b48e05e" width="5828" height="4371" alt="A scene from the contemporary dance piece 'How Art Began' by Mounir Saeed, at the 14th edition of the Abidjan Performing Arts Market."&gt;&lt;/img&gt;&lt;p&gt;Against the backdrop of Abidjan’s skyscrapers, the magnetic rhythm of &lt;i&gt;zouglou&lt;/i&gt; fills the air. Two dancers weave multi-rhythmic choreography on stage, the brilliant voices of three women accompany the singer, and the percussion sets your heartbeat. Spotlights, grilled fish, fried plantains, and the reflections of the lights on the Ébrié Lagoon, which borders Ivory Coast’s economic capital, complete the spectacle at one of the nights of the 14th edition of the &lt;a href="https://www.en.masa.ci/general-information" target="_blank" rel="nofollow" title="https://www.en.masa.ci/general-information"&gt;Abidjan Performing Arts Market&lt;/a&gt; (MASA), a biennial event that has attracted more than 570,000 visitors and this year broke records with the presence of 320 programmers from 72 countries; in 2024, there were 115 from 40 countries.&lt;/p&gt;&lt;p&gt;&lt;a href="https://english.elpais.com/culture/2026-05-06/the-abidjan-market-for-performing-arts-a-stage-for-african-music-theater-and-dance.html" target="_blank"&gt;Seguir leyendo&lt;/a&gt;&lt;/p&gt;&lt;img src="https://images.english.elpais.com/resizer/v2/KZYZ3767GFD5VGROAEKQUELFJQ.JPG?auth=a184546eb908a9db65eda7b85d0640689bb105b019461c1251cf4312ba729f12" width="6000" height="4000" alt="A dancer from the show “Zo! Mute” by Gregory Maqoma and Vincent Mantsoe at MASA in April."&gt;&lt;/img&gt;&lt;img src="https://images.english.elpais.com/resizer/v2/V7QS5HZM35HETGJJ2GEC3UEWMY.JPG?auth=14158d34b9406fec10f2db33a3e8062f2bb8a93d060f6d1346a6dbb4f0ebe5cb" width="1993" height="1150" alt="Anuang'a's creation in the 'Heritage Music and Dance' show, at MASA in Abidjan."&gt;&lt;/img&gt;</content:encoded>
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    <item>
      <guid isPermaLink="true">https://english.elpais.com/culture/2026-05-06/pedro-alonso-bids-farewell-to-berlin-the-character-has-made-me-soar-and-the-best-way-to-honor-it-was-to-let-it-go.html</guid>
      <title>Pedro Alonso bids farewell to Berlin: ‘The character allowed me to soar, and the best way to honor this was to let it go’</title>
      <pubDate>Wed, 06 May 2026 15:08:05 GMT</pubDate>
      <link>https://english.elpais.com/culture/2026-05-06/pedro-alonso-bids-farewell-to-berlin-the-character-has-made-me-soar-and-the-best-way-to-honor-it-was-to-let-it-go.html</link>
      <dc:creator>Natalia Marcos</dc:creator>
      <dcterms:alternative>Nine years after the premiere of ‘Money Heist’, the actor announces that he will not return to play the thief who brought him worldwide fame</dcterms:alternative>
      <description>Nine years after the premiere of ‘Money Heist’, the actor announces that he will not return to play the thief who brought him worldwide fame</description>
      <category>Televisión</category>
      <category>Netflix</category>
      <category>Pedro Alonso</category>
      <media:content url="https://images.english.elpais.com/resizer/v2/R76TPJBY2JFLDDYHBSRNRXWPBU.jpg?auth=b00d3e1ea78faa9c63193732e8346ce6a4b571eb3d8d00be002c016d1bac1021" type="image/jpeg" medium="image">
        <media:credit>Javier Biosca</media:credit>
        <media:title>El actor Pedro Alonso, en una imagen cedida por Netflix.</media:title>
        <media:text>Actor Pedro Alonso, in an image provided by Netflix.</media:text>
        <media:description>Actor Pedro Alonso, in an image provided by Netflix.</media:description>
      </media:content>
      <atom:link href="https://english.elpais.com/culture/2024-01-23/actor-pedro-alonso-berlin-is-indecent-perverse-selfish-narcissistic-an-emotional-terrorist-and-a-manipulative-liar.html" title="Actor Pedro Alonso: ‘Berlin is indecent, perverse, selfish, narcissistic, an emotional terrorist and a manipulative liar’" rel="related">
        <media:thumbnail url="https://images.english.elpais.com/resizer/v2/E5KPVET4LVG6ZK4WQ6MEXYEKZA.jpg?auth=61d4cf7a81fff62714dfab48f20efadd80d5f328f9cb5222c3961eddcd1015a2" height="5504" width="8256"/>
      </atom:link>
      <atom:link href="https://english.elpais.com/usa/2021-12-14/voice-actors-describe-what-its-like-to-dub-netflixs-money-heist.html" title="Voice actors describe what it’s like to dub Netflix’s ‘Money Heist’  " rel="related">
        <media:thumbnail url="https://images.english.elpais.com/resizer/v2/YZL23FCIE5FLTBT5JSPVJNW32A.webp?auth=996ef1a545503dc284c5cad9031043484fb452bde400913e0111451526107aae" height="620" width="1256"/>
      </atom:link>
      <content:encoded>&lt;img src="https://images.english.elpais.com/resizer/v2/R76TPJBY2JFLDDYHBSRNRXWPBU.jpg?auth=b00d3e1ea78faa9c63193732e8346ce6a4b571eb3d8d00be002c016d1bac1021" width="11648" height="8736" alt="Actor Pedro Alonso, in an image provided by Netflix."&gt;&lt;/img&gt;&lt;p&gt;Pedro Alonso, 54, woke up this Monday with renewed energy. He had slept well. He went out for a coffee in the streets of A Coruña, where he is filming his new movie, and walked through the Old Town. It was then that he began to realize this wouldn’t be just any ordinary week. &lt;/p&gt;&lt;p&gt;&lt;a href="https://english.elpais.com/culture/2026-05-06/pedro-alonso-bids-farewell-to-berlin-the-character-has-made-me-soar-and-the-best-way-to-honor-it-was-to-let-it-go.html" target="_blank"&gt;Seguir leyendo&lt;/a&gt;&lt;/p&gt;&lt;img src="https://images.english.elpais.com/resizer/v2/G7EEAF6P5ZEXPI6WOXI5547DRI.jpg?auth=d2e036e264ce1e9735e90d14270774c8b6344e432b3df18ebda48a150f40fc19" width="6240" height="4160" alt="Pedro Alonso in the first episode of 'Berlin and the Lady with the Ermine.'"&gt;&lt;/img&gt;&lt;img src="https://images.english.elpais.com/resizer/v2/ZJZBWHK6VRHDZOKVZH2HNYZD4M.jpg?auth=6b9d1d132aae58394dfac9fac942ed3830938873ea9118826cb8213268dce9b3" width="6240" height="4160" alt="The second season of 'Berlin,' starring Pedro Alonso, takes the band of thieves to Seville."&gt;&lt;/img&gt;&lt;img src="https://images.english.elpais.com/resizer/v2/SLNLNRZCQJF2LBRWEGST7N7LRU.jpg?auth=b9953a8748c29fdb6041d59124f17057b7eba039f7156e1eccfca462935ebacd" width="6039" height="4026" alt="The actor Pedro Alonso says goodbye to the character of Berlin, whom he has portrayed in Money Heist and in his own series."&gt;&lt;/img&gt;</content:encoded>
    </item>
    <item>
      <guid isPermaLink="true">https://english.elpais.com/culture/2026-05-05/amid-protests-and-corsets-the-bezos-takeover-of-the-met-gala-hints-at-end-of-an-era.html</guid>
      <title>Amid protests and corsets, the Bezos’ takeover of the Met Gala hints at end of an era </title>
      <pubDate>Tue, 05 May 2026 11:41:57 GMT</pubDate>
      <link>https://english.elpais.com/culture/2026-05-05/amid-protests-and-corsets-the-bezos-takeover-of-the-met-gala-hints-at-end-of-an-era.html</link>
      <dc:creator>María Porcel Estepa</dc:creator>
      <dcterms:alternative>Anna Wintour legitimizes Lauren Sanchez Bezos as a leading cultural figure at the Metropolitan Museum of Art’s pre-exhibition party in New York, alongside celebrities such as Beyoncé, Bad Bunny and the Kardashians</dcterms:alternative>
      <description>Anna Wintour legitimizes Lauren Sanchez Bezos as a leading cultural figure at the Metropolitan Museum of Art’s pre-exhibition party in New York, alongside celebrities such as Beyoncé, Bad Bunny and the Kardashians</description>
      <category>Gala MET</category>
      <category>Anna Wintour</category>
      <category>Lauren Sánchez</category>
      <category>Jeff Bezos</category>
      <category>Beyoncé</category>
      <category>Bad Bunny</category>
      <category>Kim Kardashian</category>
      <category>Zohran Mamdani</category>
      <media:content url="https://images.english.elpais.com/resizer/v2/MAPLSVEVSBDUNDNDGNQ4NUJFQM.jpg?auth=7ec068c1014de2ac02e9569a928975bd8123493851eb1043e5c4480a14592551" type="image/jpeg" medium="image">
        <media:credit>Lexie Moreland (WWD via Getty Images)</media:credit>
        <media:title>The Bezos’ takeover of the Met Gala </media:title>
        <media:text>Lauren Sanchez Bezos, between Nicole Kidman and Anna Wintour at the 2026 Met Gala  in New York on May 4, 2026.</media:text>
        <media:description>Lauren Sanchez Bezos, between Nicole Kidman and Anna Wintour at the 2026 Met Gala  in New York on May 4, 2026.</media:description>
      </media:content>
      <atom:link href="https://english.elpais.com/culture/2026-05-01/the-devil-wears-amazon-how-jeff-bezos-became-an-unexpected-force-in-fashion.html" title="The Devil Wears Amazon: How Jeff Bezos became an unexpected force in fashion  " rel="related">
        <media:thumbnail url="https://images.english.elpais.com/resizer/v2/C5XDZOOEVBFJFHSN7Z4DQG2XXM.jpg?auth=9f5f8cb93d94fee213e4a5be6fe4e96f6bd17d3380ff6bfca54df37782c3d056" height="5760" width="8640"/>
      </atom:link>
      <atom:link href="https://english.elpais.com/culture/2026-04-30/costume-designer-for-the-devil-wears-prada-2-meryl-streeps-favorite-earrings-were-from-a-drugstore-and-cost-9.html" title="Costume designer for ‘The Devil Wears Prada 2’: ‘Meryl Streep’s favorite earrings were from a drugstore and cost $9′" rel="related">
        <media:thumbnail url="https://images.english.elpais.com/resizer/v2/KCAZUW4MEZBW3OVCKFTGUR3DBI.jpg?auth=cbe698d8a416450fe31e9b7b1691cf6b1e6dab103b583c235abcb05f75d4163b" height="976" width="1734"/>
      </atom:link>
      <content:encoded>&lt;p&gt;&lt;a href="https://english.elpais.com/culture/2025-05-04/from-lady-di-wandering-in-a-nightie-to-beyonces-family-brawl-the-biggest-met-gala-scandals.html" target="_self" rel="" title="https://english.elpais.com/culture/2025-05-04/from-lady-di-wandering-in-a-nightie-to-beyonces-family-brawl-the-biggest-met-gala-scandals.html"&gt;Beyoncé may have brought her family&lt;/a&gt; and worn a silver-and-crystal-jewelry dress made to look like a skeleton for her first appearance in 10 years at the Met Gala. Bad Bunny may have looked like a venerable old man dressed in a Zara suit. The Kardashians may have brought out the big guns—and big corsets—to wear on the most famous steps in the world. But this year, beyond the celebrities, the beautiful dresses, the much-needed inclusivity, and the messages about the conversation &lt;a href="https://english.elpais.com/culture/2025-05-05/the-most-controversial-and-iconic-dresses-in-the-history-of-the-met-gala.html" target="_self" rel="" title="https://english.elpais.com/culture/2025-05-05/the-most-controversial-and-iconic-dresses-in-the-history-of-the-met-gala.html"&gt;between art and fashion&lt;/a&gt;, the Metropolitan Museum of Art’s gala in New York will be remembered for another issue, one that seems even more important than highlighting body diversity, or how fashion itself is also art: how wealth, changing with each generation, can alter the narrative, take over culture, create a rarefied atmosphere and even usher in a new era.&lt;/p&gt;&lt;p&gt;&lt;a href="https://english.elpais.com/culture/2026-05-05/amid-protests-and-corsets-the-bezos-takeover-of-the-met-gala-hints-at-end-of-an-era.html" target="_blank"&gt;Seguir leyendo&lt;/a&gt;&lt;/p&gt;</content:encoded>
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    <item>
      <guid isPermaLink="true">https://english.elpais.com/culture/2026-05-04/rosalia-you-need-to-be-able-to-joke-around-and-have-a-sense-of-humor-in-life.html</guid>
      <title>Rosalía: ‘You need to be able to joke around and have a sense of humor in life’</title>
      <pubDate>Mon, 04 May 2026 15:54:45 GMT</pubDate>
      <link>https://english.elpais.com/culture/2026-05-04/rosalia-you-need-to-be-able-to-joke-around-and-have-a-sense-of-humor-in-life.html</link>
      <dc:creator>Beatriz García</dc:creator>
      <dcterms:alternative>The singer is at the peak of her career with her ‘Lux’ Tour and her debut as the face of the perfume Euphoria by Calvin Klein </dcterms:alternative>
      <description>The singer is at the peak of her career with her ‘Lux’ Tour and her debut as the face of the perfume Euphoria by Calvin Klein </description>
      <category>Rosalía</category>
      <category>Calvin Klein</category>
      <category>Natalia Vodianova</category>
      <category>Euphoria</category>
      <category>Zendaya</category>
      <media:content url="https://images.english.elpais.com/resizer/v2/TVCACDCL75HPBC563LBC3BNK54.jpg?auth=e7e3affeabc2ec3265850734d453dd16cb2cd35de988fc5f021b5504fae55385" type="image/jpeg" medium="image">
        <media:credit>Carlijn Jacobs / CORTESÍA DE CALVIN KLEIN</media:credit>
        <media:title>Rosalía</media:title>
        <media:text>The singer Rosalía.</media:text>
        <media:description>The singer Rosalía.</media:description>
      </media:content>
      <atom:link href="https://english.elpais.com/culture/2026-03-17/from-saint-to-raver-rosalia-opens-lux-world-tour-by-exploring-all-her-incarnations.html" title="From saint to raver: Rosalía opens ‘Lux’ world tour by exploring all her incarnations" rel="related">
        <media:thumbnail url="https://images.english.elpais.com/resizer/v2/AUTQLC66TZACRCIE624AQCV7IA.jpg?auth=aed451d1214a3d0be9f3d2d85a9be2d3e89b99358d14ebda8b33014fb624a6b5" height="743" width="1320"/>
      </atom:link>
      <atom:link href="https://english.elpais.com/eps/2025-11-09/rosalia-ive-been-preparing-for-this-all-my-life.html" title="Rosalía: ‘I’ve been preparing for this all my life’" rel="related">
        <media:thumbnail url="https://images.english.elpais.com/resizer/v2/X56B3PZJQBGRNPD3X34IP5MISY.jpg?auth=19f5ce52bc20d1b6a609ec52824544cee20e685f3ada21efc6ec3a566935f613" height="2700" width="2160"/>
      </atom:link>
      <content:encoded>&lt;p&gt;Thirty-three-year-old Rosalía connects and her face appears on the screen. Focused on her &lt;a href="https://english.elpais.com/culture/2026-03-17/from-saint-to-raver-rosalia-opens-lux-world-tour-by-exploring-all-her-incarnations.html" target="_self" rel="" title="https://english.elpais.com/culture/2026-03-17/from-saint-to-raver-rosalia-opens-lux-world-tour-by-exploring-all-her-incarnations.html"&gt;&lt;i&gt;Lux &lt;/i&gt;Tour&lt;/a&gt;, she reflects on the “honor” of being the face of Calvin Klein’s new perfume, Euphoria. The brand first launched its iconic fragrance in 2005. Back then, Natalia Vodianova was photographed by Steven Meisel, the great architect of the unmistakable visual stamp ‘Calvin’ and she became the perfume’s ambassador. Now Rosalía is taking over the role and she does it in her own unique way: she dances sensually in the spot, to the rhythm of her song &lt;i&gt;Dios es un stalker&lt;/i&gt;.&lt;/p&gt;&lt;p&gt;&lt;a href="https://english.elpais.com/culture/2026-05-04/rosalia-you-need-to-be-able-to-joke-around-and-have-a-sense-of-humor-in-life.html" target="_blank"&gt;Seguir leyendo&lt;/a&gt;&lt;/p&gt;</content:encoded>
    </item>
    <item>
      <guid isPermaLink="true">https://english.elpais.com/culture/2026-05-04/ai-weiwei-the-venice-biennale-should-not-make-value-judgments-about-political-positions-otherwise-its-censorship.html</guid>
      <title>Ai Weiwei: ‘The Venice Biennale should not make value judgments about political positions. Otherwise, it’s censorship’</title>
      <pubDate>Mon, 04 May 2026 15:34:12 GMT</pubDate>
      <link>https://english.elpais.com/culture/2026-05-04/ai-weiwei-the-venice-biennale-should-not-make-value-judgments-about-political-positions-otherwise-its-censorship.html</link>
      <dc:creator>Barbara Celis </dc:creator>
      <dcterms:alternative>The Chinese artist and activist, who has just opened the retrospective ‘Aftershock’ at the MAXXI museum in L’Aquila, argues that restrictions on expression are not only a problem of autocracies but also permeate Western democracies </dcterms:alternative>
      <description>The Chinese artist and activist, who has just opened the retrospective ‘Aftershock’ at the MAXXI museum in L’Aquila, argues that restrictions on expression are not only a problem of autocracies but also permeate Western democracies </description>
      <category>Ai Weiwei</category>
      <category>China</category>
      <category>Israel</category>
      <media:content url="https://images.english.elpais.com/resizer/v2/EMFP6URFS5HYFI4BJCPGAYVMEE.jpg?auth=598abbb0f23160b73f96831739687bcf920a8d15740cf0848c22d6fc994cfe52" type="image/jpeg" medium="image">
        <media:credit>Lucky's Production / Fondazione Maxxi</media:credit>
        <media:title>Ai Weiwei</media:title>
        <media:text>Ai Weiwei poses at the MAXXI Museum in L'Aquila.</media:text>
        <media:description>Ai Weiwei poses at the MAXXI Museum in L'Aquila.</media:description>
      </media:content>
      <atom:link href="https://english.elpais.com/culture/2025-02-15/ai-weiwei-in-the-art-world-everyone-talks-about-money-its-poisonous-youre-only-worth-as-much-as-your-work.html" title="Ai Weiwei: ‘In the art world, everyone talks about money. It’s poisonous; you’re only worth as much as your work’  " rel="related">
        <media:thumbnail url="https://images.english.elpais.com/resizer/v2/NTG7PMVJIZGWJGK32SP5Q5ZRTY.jpg?auth=4c55b47b116fd42ad78db5a08f9bc486cfd553e300f26e867d3795b9b8804ea2" height="3467" width="2600"/>
      </atom:link>
      <atom:link href="https://english.elpais.com/elpais/2017/08/02/inenglish/1501684675_384911.html" title="Ai Weiwei: “Humanity is more cowardly with each passing day”" rel="related">
        <media:thumbnail url="https://cloudfront-eu-central-1.images.arcpublishing.com/prisa/KGYNN3E5S3AJ6HDQ54YBUF6U6Q.jpg" height="257" width="360"/>
      </atom:link>
      <content:encoded>&lt;p&gt;If there is an artist with the credentials to speak about freedom of expression and censorship, it is &lt;a href="https://english.elpais.com/culture/2025-02-15/ai-weiwei-in-the-art-world-everyone-talks-about-money-its-poisonous-youre-only-worth-as-much-as-your-work.html" target="_self" rel="" title="https://english.elpais.com/culture/2025-02-15/ai-weiwei-in-the-art-world-everyone-talks-about-money-its-poisonous-youre-only-worth-as-much-as-your-work.html"&gt;Ai Weiwei&lt;/a&gt;. And his response to any kind of restriction — regardless of who is being targeted by attempts to silence a voice — is a firm no.&lt;/p&gt;&lt;p&gt;&lt;a href="https://english.elpais.com/culture/2026-05-04/ai-weiwei-the-venice-biennale-should-not-make-value-judgments-about-political-positions-otherwise-its-censorship.html" target="_blank"&gt;Seguir leyendo&lt;/a&gt;&lt;/p&gt;</content:encoded>
    </item>
    <item>
      <guid isPermaLink="true">https://english.elpais.com/culture/2026-05-04/how-el-pais-reported-on-the-1981-coup-attempt-in-spain.html</guid>
      <title>How EL PAÍS reported on the 1981 coup attempt in Spain</title>
      <pubDate>Mon, 04 May 2026 11:21:31 GMT</pubDate>
      <link>https://english.elpais.com/culture/2026-05-04/how-el-pais-reported-on-the-1981-coup-attempt-in-spain.html</link>
      <dc:creator>Javier Cercas</dc:creator>
      <dcterms:alternative>In his most recent work, ‘El periódico de la democracia,’ Javier Cercas recounts a personal history of the newspaper. This is the fourth chapter from his new book</dcterms:alternative>
      <description>In his most recent work, ‘El periódico de la democracia,’ Javier Cercas recounts a personal history of the newspaper. This is the fourth chapter from his new book</description>
      <category>El País</category>
      <category>Javier Cercas</category>
      <category>23-F</category>
      <category>Juan Carlos I</category>
      <category>Antonio Tejero Molina</category>
      <category>Juan Luis Cebrián</category>
      <media:content url="https://images.english.elpais.com/resizer/v2/WEUXLHG7LNNBZBRKUWPGARI6DU.jpg?auth=199b2ba42b1200ce7ba9da1fe1cfc29d0cb4236c820562b3f52dd13eeb83390f" type="image/jpeg" medium="image">
        <media:credit>Ricardo Martín</media:credit>
        <media:title>EL PAÍS 1981 coup attempt in Spain</media:title>
        <media:text>Reporters reading EL PAÍS at the Hotel Palace, across from Congress, on the night of 23-F.</media:text>
        <media:description>Reporters reading EL PAÍS at the Hotel Palace, across from Congress, on the night of 23-F.</media:description>
      </media:content>
      <atom:link href="https://english.elpais.com/elpais/2018/03/06/trans_iberian/1520346718_430009.html" title="A true tale that’s stranger than fiction" rel="related">
        <media:thumbnail url="https://images.english.elpais.com/resizer/v2/AOHATQWSRSGNITH7UZ5ORBVEQY.jpg?auth=cae53e2f3c1cc58791dae908cfa2847c8533193e94694f73b2cb36495f1aa5bb" height="654" width="980"/>
      </atom:link>
      <atom:link href="https://english.elpais.com/spain/2026-02-24/45-years-after-spains-failed-coup-reasonable-doubts-linger.html" title="45 years after Spain’s failed coup, reasonable doubts linger" rel="related">
        <media:thumbnail url="https://images.english.elpais.com/resizer/v2/7YSBNPJXRVPKTIMWDGMUI64YRY.jpg?auth=1a100cca9d0abfb7ec58f71c4d69a22ba5f205007279222cb1bf8f699f4909e1" height="653" width="980"/>
      </atom:link>
      <content:encoded>&lt;p&gt;Borges wrote that “any life, however long and complicated it may be, actually consists of a single moment — the moment when a man knows forever more who he is.” Perhaps this statement applies not only to people, but also to newspapers; if so, EL PAÍS knew forever who it was during the afternoon and evening of February 23, 1981.&lt;/p&gt;&lt;p&gt;&lt;a href="https://english.elpais.com/culture/2026-05-04/how-el-pais-reported-on-the-1981-coup-attempt-in-spain.html" target="_blank"&gt;Seguir leyendo&lt;/a&gt;&lt;/p&gt;</content:encoded>
    </item>
    <item>
      <guid isPermaLink="true">https://english.elpais.com/culture/2026-05-03/watersowing-when-science-and-ancestral-knowledge-join-forces-to-fight-drought-in-the-venezuelan-andes.html</guid>
      <title>‘Water‑sowing’: When science and ancestral knowledge join forces to fight drought in the Venezuelan Andes</title>
      <pubDate>Sun, 03 May 2026 04:00:00 GMT</pubDate>
      <link>https://english.elpais.com/culture/2026-05-03/watersowing-when-science-and-ancestral-knowledge-join-forces-to-fight-drought-in-the-venezuelan-andes.html</link>
      <dc:creator>Andrea Hernández Briceño</dc:creator>
      <dcterms:alternative>This ancestral practice combines reforestation, soil conservation, and the protection of frailejones — the tall, fuzzy Andean plants that harvest water — to capture fog and rain, recharge aquifers, and ensure the flow of rivers </dcterms:alternative>
      <description>This ancestral practice combines reforestation, soil conservation, and the protection of frailejones — the tall, fuzzy Andean plants that harvest water — to capture fog and rain, recharge aquifers, and ensure the flow of rivers </description>
      <category>Venezuela</category>
      <category>América</category>
      <media:content url="https://images.english.elpais.com/resizer/v2/3H46DPMLRRGJPLYYA6SWJGSKA4.jpg?auth=1b0514a7d0fd216e2ae56ca3ef79605a0e3526260c7e4114546a4f2fa9dcd3f5" type="image/jpeg" medium="image">
        <media:credit>Andrea Hernández Briceño</media:credit>
        <media:title>VENEZUELA-AMÉRICA FUTURA-SIEMBRA DE AGUA</media:title>
        <media:text>Ligia Parra, who leads the “water sowing” efforts, walks toward a new wetland that farmers have discovered in the Andean páramo of Venezuela. These ecosystems absorb rainwater to feed rivers and lagoons, regulate the climate, combat drought, and preserve biodiversity at more than 3,000 meters above sea level.</media:text>
        <media:description>Ligia Parra, who leads the “water sowing” efforts, walks toward a new wetland that farmers have discovered in the Andean páramo of Venezuela. These ecosystems absorb rainwater to feed rivers and lagoons, regulate the climate, combat drought, and preserve biodiversity at more than 3,000 meters above sea level.</media:description>
      </media:content>
      <media:group>
        <media:content url="https://images.english.elpais.com/resizer/v2/3H46DPMLRRGJPLYYA6SWJGSKA4.jpg?auth=1b0514a7d0fd216e2ae56ca3ef79605a0e3526260c7e4114546a4f2fa9dcd3f5" type="image/jpeg" medium="image">
          <media:credit>Andrea Hernández Briceño</media:credit>
          <media:title>VENEZUELA-AMÉRICA FUTURA-SIEMBRA DE AGUA</media:title>
          <media:text>Ligia Parra, who leads the “water sowing” efforts, walks toward a new wetland that farmers have discovered in the Andean páramo of Venezuela. These ecosystems absorb rainwater to feed rivers and lagoons, regulate the climate, combat drought, and preserve biodiversity at more than 3,000 meters above sea level.</media:text>
          <media:description>Ligia Parra, who leads the “water sowing” efforts, walks toward a new wetland that farmers have discovered in the Andean páramo of Venezuela. These ecosystems absorb rainwater to feed rivers and lagoons, regulate the climate, combat drought, and preserve biodiversity at more than 3,000 meters above sea level.</media:description>
        </media:content>
        <media:content url="https://images.english.elpais.com/resizer/v2/ZJ2NEMRAF5DYNCXRE2NIUL7AUQ.jpg?auth=419a3eaef3b06bebaa9ec2bfa61ffe9762103c05f8f537f591e7a5da8e447f5a" type="image/jpeg" medium="image">
          <media:credit>Andrea Hernández Briceño</media:credit>
          <media:title>VENEZUELA-AMÉRICA FUTURA-SIEMBRA DE AGUA</media:title>
          <media:text>During the ritual on March 28, a group of farmers, parents, and children forms a circle around the spring to begin the “water‑sowing” ceremony. It is an environmental conservation strategy that protects the Andean ecosystem and secures water supply from two fronts: ecological measures and community‑spiritual practices.</media:text>
          <media:description>During the ritual on March 28, a group of farmers, parents, and children forms a circle around the spring to begin the “water‑sowing” ceremony. It is an environmental conservation strategy that protects the Andean ecosystem and secures water supply from two fronts: ecological measures and community‑spiritual practices.</media:description>
        </media:content>
        <media:content url="https://images.english.elpais.com/resizer/v2/IRQJHDCDHNCGRBMHBFYSMBKWUI.jpg?auth=a2f021d556ae320440fff564e5d07e10bcf944ce78ef98a3a443a798c58a55b5" type="image/jpeg" medium="image">
          <media:credit>Andrea Hernández Briceño</media:credit>
          <media:title>VENEZUELA-AMÉRICA FUTURA-SIEMBRA DE AGUA</media:title>
          <media:text>Children, their parents, and several farmers watch as Ligia Parra, the water‑sowing practitioner, sprinkles brown sugar onto the soil during the ceremony, standing beside Caroly Higuera.</media:text>
          <media:description>Children, their parents, and several farmers watch as Ligia Parra, the water‑sowing practitioner, sprinkles brown sugar onto the soil during the ceremony, standing beside Caroly Higuera.</media:description>
        </media:content>
        <media:content url="https://images.english.elpais.com/resizer/v2/2EBETS35WRDZBJWFZGBZAUWZXI.jpg?auth=8fe8658b6b6756506ea26d1dab472e1f5ac31a1c766e76550ad4f82aaaf98539" type="image/jpeg" medium="image">
          <media:credit>Andrea Hernández Briceño</media:credit>
          <media:title>VENEZUELA-AMÉRICA FUTURA-SIEMBRA DE AGUA</media:title>
          <media:text>Crops in Venezuela’s páramos, mainly in Mérida and Táchira, are centered on cold‑climate vegetables such as potatoes, carrots, garlic, and strawberries. They are grown at very high altitudes.</media:text>
          <media:description>Crops in Venezuela’s páramos, mainly in Mérida and Táchira, are centered on cold‑climate vegetables such as potatoes, carrots, garlic, and strawberries. They are grown at very high altitudes.</media:description>
        </media:content>
        <media:content url="https://images.english.elpais.com/resizer/v2/UEBFJTXTZNDXRJ73KFMMRUYSXU.jpg?auth=fa4a2bbb1e63e0193761db66a17e2a3b30589386a8dda60318bef8a3dc4b02bb" type="image/jpeg" medium="image">
          <media:credit>Andrea Hernández Briceño</media:credit>
          <media:title>VENEZUELA-AMÉRICA FUTURA-SIEMBRA DE AGUA</media:title>
          <media:text>Ligia Parra has spent 24 years protecting, tending, and reforesting the wetlands, while also preserving the ancestral knowledge of Venezuela’s Indigenous communities.</media:text>
          <media:description>Ligia Parra has spent 24 years protecting, tending, and reforesting the wetlands, while also preserving the ancestral knowledge of Venezuela’s Indigenous communities.</media:description>
        </media:content>
        <media:content url="https://images.english.elpais.com/resizer/v2/AHPDVLDOSBENTBCDUTBJ6R76T4.jpg?auth=d46d71d4d57bd27c59d579bdf807ab6f09ffdfd7ecd847d43381d288cf39cbb6" type="image/jpeg" medium="image">
          <media:credit>Andrea Hernández Briceño</media:credit>
          <media:title>VENEZUELA-AMÉRICA FUTURA-SIEMBRA DE AGUA</media:title>
          <media:text>During the ceremony, Parra and the children offer green coconut, sea salt, and flowers to Mother Earth. “Water‑sowing used to be practiced in secret,” she recalls. Andean communities are deeply religious and tend to reject any activity that falls outside Christian norms. “My nonna [grandmother] taught me how to do it. She was of Misintajeo Indigenous origin.”</media:text>
          <media:description>During the ceremony, Parra and the children offer green coconut, sea salt, and flowers to Mother Earth. “Water‑sowing used to be practiced in secret,” she recalls. Andean communities are deeply religious and tend to reject any activity that falls outside Christian norms. “My nonna [grandmother] taught me how to do it. She was of Misintajeo Indigenous origin.”</media:description>
        </media:content>
        <media:content url="https://images.english.elpais.com/resizer/v2/TJZ3EJCYAJC3FBGPSGFLF7WLIA.jpg?auth=b623b5fea68e8b00ce48334d2359543d952ce7d66b5ce0ffc4cfccca9e6bfd75" type="image/jpeg" medium="image">
          <media:credit>Andrea Hernández Briceño (EL PAÍS)</media:credit>
          <media:title>VENEZUELA-AMÉRICA FUTURA-SIEMBRA DE AGUA</media:title>
          <media:text>Camilo Peña rings the small bell as part of the ceremony. The high‑páramo region of the Venezuelan Andes was once a site for hunting and for the magical‑mystical rituals practiced by pre‑Hispanic Indigenous communities.</media:text>
          <media:description>Camilo Peña rings the small bell as part of the ceremony. The high‑páramo region of the Venezuelan Andes was once a site for hunting and for the magical‑mystical rituals practiced by pre‑Hispanic Indigenous communities.</media:description>
        </media:content>
        <media:content url="https://images.english.elpais.com/resizer/v2/T5NGXX7HZJC4FFNAVYIG6CSKYA.jpg?auth=5377ec8294654fa8e357f8c4f5bd01887e3805b595f74e22d9d9d8aef26833b4" type="image/jpeg" medium="image">
          <media:credit>Andrea Hernández Briceño</media:credit>
          <media:title>VENEZUELA-AMÉRICA FUTURA-SIEMBRA DE AGUA</media:title>
          <media:text>Biologist Raquel Romero closes her eyes during the “water‑sowing” ritual. She also works to protect the micro‑watersheds that supply local communities. She explains that the cattle grazed in the páramo trample the wetlands, compact the soil, and affect the diversity of the plants that capture mist to retain water.</media:text>
          <media:description>Biologist Raquel Romero closes her eyes during the “water‑sowing” ritual. She also works to protect the micro‑watersheds that supply local communities. She explains that the cattle grazed in the páramo trample the wetlands, compact the soil, and affect the diversity of the plants that capture mist to retain water.</media:description>
        </media:content>
        <media:content url="https://images.english.elpais.com/resizer/v2/JXIUNXKJC5EWBCYL6WKEVRV6DA.jpg?auth=806d05749300d5114c6d751cd77b1af5099c6343064bba62c4a7735098e693ed" type="image/jpeg" medium="image">
          <media:credit>Andrea Hernández Briceño</media:credit>
          <media:title>VENEZUELA-AMÉRICA FUTURA-SIEMBRA DE AGUA</media:title>
          <media:text>According to participants, the “water‑sowing” rituals help connect communities with the wetlands and protect the páramo ecosystem from drought.</media:text>
          <media:description>According to participants, the “water‑sowing” rituals help connect communities with the wetlands and protect the páramo ecosystem from drought.</media:description>
        </media:content>
        <media:content url="https://images.english.elpais.com/resizer/v2/NZRIHHXLZ5E2JPSDQ6NK6JYODU.jpg?auth=f1a215e5fc403375eddb84232e34c3200621305ad2baf1caf77cf3619038e53d" type="image/jpeg" medium="image">
          <media:credit>Andrea Hernández Briceño</media:credit>
          <media:title>VENEZUELA-AMÉRICA FUTURA-SIEMBRA DE AGUA</media:title>
          <media:text>Antonella Ramírez arranges the flowers in the wreaths for the “water‑sowing” offerings in Misintá, Venezuela.</media:text>
          <media:description>Antonella Ramírez arranges the flowers in the wreaths for the “water‑sowing” offerings in Misintá, Venezuela.</media:description>
        </media:content>
        <media:content url="https://images.english.elpais.com/resizer/v2/UN6YCT4B4ZH43IEI4KW7NHB5HI.jpg?auth=223d4eac6aa5ccc6ae51023f32d39957140feafc1d2f38339422ef2fd94c54ec" type="image/jpeg" medium="image">
          <media:credit>Andrea Hernández Briceño</media:credit>
          <media:title>VENEZUELA-AMÉRICA FUTURA-SIEMBRA DE AGUA</media:title>
          <media:text>“For us farmers it’s even more important, because if we have soil and seeds but no water, there is no life,” says Néstor Monsalve. In the image, a child carries a basket with the flower wreaths, honey, and sea salt used in the ceremony.</media:text>
          <media:description>“For us farmers it’s even more important, because if we have soil and seeds but no water, there is no life,” says Néstor Monsalve. In the image, a child carries a basket with the flower wreaths, honey, and sea salt used in the ceremony.</media:description>
        </media:content>
        <media:content url="https://images.english.elpais.com/resizer/v2/ZC5F2JZMFJD6XB7OEYI5QFAYVM.jpg?auth=bbf2ca1c728ae00d921c18fdb20707bebe5c6648d6543bcda575222354f0fec2" type="image/jpeg" medium="image">
          <media:credit>Andrea Hernández Briceño</media:credit>
          <media:title>VENEZUELA-AMÉRICA FUTURA-SIEMBRA DE AGUA</media:title>
          <media:text>Children in the community are included in the ritual so they can learn to care for and respect the environment.</media:text>
          <media:description>Children in the community are included in the ritual so they can learn to care for and respect the environment.</media:description>
        </media:content>
        <media:content url="https://images.english.elpais.com/resizer/v2/KNO27QKPCBDKRLUUA4Y5F6YLWA.jpg?auth=d72186be7ae82fd720c1a359028aafc2cac957fa2d15aba1588d93a039e6d143" type="image/jpeg" medium="image">
          <media:credit>Andrea Hernández Briceño</media:credit>
          <media:title>VENEZUELA-AMÉRICA FUTURA-SIEMBRA DE AGUA</media:title>
          <media:text>Farmers become “guardians” of the water to foster collective awareness of the value of wetlands. In the image, water‑sowing practitioner Ligia Parra.</media:text>
          <media:description>Farmers become “guardians” of the water to foster collective awareness of the value of wetlands. In the image, water‑sowing practitioner Ligia Parra.</media:description>
        </media:content>
        <media:content url="https://images.english.elpais.com/resizer/v2/KKQVMS32DZEGNDSTJBTUEVNNDM.jpg?auth=572ad369ba1316bfb4bbffafb95b8cdb9cfb3902f197191230561baf58b76886" type="image/jpeg" medium="image">
          <media:credit>Andrea Hernández Briceño</media:credit>
          <media:title>VENEZUELA-AMÉRICA FUTURA-SIEMBRA DE AGUA</media:title>
          <media:text>Farmer Jorge Luis Santiago washes his hands before lunch after taking part in the ceremony.</media:text>
          <media:description>Farmer Jorge Luis Santiago washes his hands before lunch after taking part in the ceremony.</media:description>
        </media:content>
        <media:content url="https://images.english.elpais.com/resizer/v2/EHQUMAXI7JGFRNJ5FPLEDOT6RA.jpg?auth=303aa0e28062aad8fbe44c75e1e5ba613051ed93586ca0c96f83f1667221f3e7" type="image/jpeg" medium="image">
          <media:credit>Andrea Hernández Briceño</media:credit>
          <media:title>VENEZUELA-AMÉRICA FUTURA-SIEMBRA DE AGUA</media:title>
          <media:text>The water‑sowing ritual is only held during the waxing crescent moon.</media:text>
          <media:description>The water‑sowing ritual is only held during the waxing crescent moon.</media:description>
        </media:content>
      </media:group>
      <atom:link href="https://english.elpais.com/international/2026-02-10/argentina-a-pioneer-in-glacier-protection-is-moving-forward-with-a-reform-that-threatens-water-security.html" title="Argentina, a pioneer in glacier protection, is moving forward with a reform that threatens water security" rel="related">
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      </atom:link>
      <atom:link href="https://english.elpais.com/climate/2024-03-26/the-latin-american-water-conservation-model-now-being-adopted-in-europe.html" title="The Latin American water conservation model now being adopted in Europe" rel="related">
        <media:thumbnail url="https://images.english.elpais.com/resizer/v2/U6QWPBJIRNA5ZA5HYLJQ5426RQ.png?auth=cc0db133cc5d25de3ed262c86553315fcacb25590c3aae8fa71b84500df34077" height="1796" width="3192"/>
      </atom:link>
      <content:encoded>&lt;img src="https://images.english.elpais.com/resizer/v2/QN6BILTKSBCZXJ7PK2BSM5AY6I.jpg?auth=df60f6bbde0f827839e50e59b0b9cb7cb4e66fdb606f6714389d5c3e2421e51e" width="4000" height="2667" alt="'Water sower' Ligia Parra and farmer Jorge Luis Santiago hold hands during the water sowing ceremony in Venezuela."&gt;&lt;/img&gt;&lt;p&gt;&lt;/p&gt;</content:encoded>
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