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    <description>Feed MRSS-S antonin_artaud_a, english.elpais.com</description>
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      <title>The women who went where even punk failed to go</title>
      <pubDate>Tue, 12 May 2026 14:25:30 GMT</pubDate>
      <link>https://english.elpais.com/culture/2026-05-12/the-women-who-went-where-even-punk-failed-to-go.html</link>
      <dc:creator>Rafa  Cervera Torres</dc:creator>
      <dcterms:alternative>No Wave was a movement that emerged in New York in the late 1970s and shook up the underground scene. One of its leading figures recalls it in a book</dcterms:alternative>
      <description>No Wave was a movement that emerged in New York in the late 1970s and shook up the underground scene. One of its leading figures recalls it in a book</description>
      <category>Antonin Artaud</category>
      <category>The Ramones</category>
      <category>Talking Heads</category>
      <category>Brian Eno</category>
      <category>Patti Smith</category>
      <category>Nan Goldin</category>
      <category>Kathryn Bigelow</category>
      <category>Paul Simon</category>
      <category>Sinéad O’Connor</category>
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        <media:credit>Mónica Orozco (Beacon Press)</media:credit>
        <media:text>Adele Bertei was a leader of the No Wave movement. </media:text>
        <media:description>Adele Bertei was a leader of the No Wave movement. </media:description>
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      <atom:link href="https://english.elpais.com/culture/2026-04-09/an-open-door-into-the-rooms-of-patti-smith-robert-mapplethorpe-and-other-residents-of-the-legendary-chelsea-hotel.html" title="An open door into the rooms of Patti Smith, Robert Mapplethorpe, and other residents of the legendary Chelsea Hotel   " rel="related">
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      <content:encoded>&lt;p&gt;During the financial crisis that rocked New York in 1977, a raw, short-lived artistic movement emerged — one that had no chance of breaking out of the underground — reaching places that even punk failed to go. “No Wave was brutal,” summarizes Adele Bertei, one of the promoters of that chaos orchestrated by musicians, filmmakers, and visual artists. “We had read [Antonin] Artaud’s &lt;i&gt;The Theater and Its Double&lt;/i&gt;, a book that already spoke of electronic instruments that would make piercing sounds before electric guitars proliferated. It was also very theatrical.” Newly arrived in the city, Bertei had found her place in a scene that acted as a successor to &lt;a href="https://english.elpais.com/culture/2024-09-16/you-want-to-play-like-him-youll-break-your-hand-20-years-on-since-the-death-of-johnny-ramone-the-guitarist-who-changed-rock.html" target="_self" rel="" title="https://english.elpais.com/culture/2024-09-16/you-want-to-play-like-him-youll-break-your-hand-20-years-on-since-the-death-of-johnny-ramone-the-guitarist-who-changed-rock.html"&gt;the Ramones&lt;/a&gt; and Talking Heads. She played keyboards with The Contortions, acted in several underground films, and ended up founding The Bloods, the first all-lesbian band to proclaim their identity at a time when it was common to keep it hidden.&lt;/p&gt;&lt;p&gt;&lt;a href="https://english.elpais.com/culture/2026-05-12/the-women-who-went-where-even-punk-failed-to-go.html" target="_blank"&gt;Seguir leyendo&lt;/a&gt;&lt;/p&gt;</content:encoded>
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