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    <title>Feed MRSS-S movida_madrilena_a</title>
    <description>Feed MRSS-S movida_madrilena_a, english.elpais.com</description>
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    <link>https://english.elpais.com</link>
    <lastBuildDate>Sat, 02 Aug 2025 04:00:00 GMT</lastBuildDate>
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      <guid isPermaLink="true">https://english.elpais.com/science-tech/2025-08-02/agustin-fuentes-bioanthropologist-saying-that-human-beings-are-binary-is-a-failure-its-not-biology-its-philosophy.html</guid>
      <title>Agustín Fuentes, bioanthropologist: ‘Saying that human beings are binary is a failure; it’s not biology, it’s philosophy’</title>
      <pubDate>Sat, 02 Aug 2025 04:00:00 GMT</pubDate>
      <link>https://english.elpais.com/science-tech/2025-08-02/agustin-fuentes-bioanthropologist-saying-that-human-beings-are-binary-is-a-failure-its-not-biology-its-philosophy.html</link>
      <dc:creator>Javier Salas </dc:creator>
      <dcterms:alternative>The Princeton professor, author of ‘Sex is a Spectrum: The Biological Limits of the Binary,’ reflects on human diversity and the ideological impositions that simplify the variety of genes, gonads and genitals</dcterms:alternative>
      <description>The Princeton professor, author of ‘Sex is a Spectrum: The Biological Limits of the Binary,’ reflects on human diversity and the ideological impositions that simplify the variety of genes, gonads and genitals</description>
      <category>Donald Trump</category>
      <category>Movida madrileña</category>
      <category>Madrid</category>
      <category>Francisco Franco</category>
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        <media:credit>Matthew Raspanti</media:credit>
        <media:title>Agustín Fuentes, bioanthropologist</media:title>
        <media:text>Biological anthropologist Agustín Fuentes, in an image provided by Princeton University.</media:text>
        <media:description>Biological anthropologist Agustín Fuentes, in an image provided by Princeton University.</media:description>
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      <atom:link href="https://english.elpais.com/science-tech/2025-08-02/darwinist-feminism-dismantling-the-myth-of-female-sexual-passivity.html" title="Darwinist feminism: Dismantling the myth of female sexual passivity " rel="related">
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      <atom:link href="https://english.elpais.com/science-tech/2025-07-25/mahzarin-banaji-psychologist-our-biases-were-useful-in-the-past-but-today-they-are-an-obstacle.html" title="Mahzarin Banaji, psychologist: ‘Our biases were useful in the past, but today, they are an obstacle’" rel="related">
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      <content:encoded>&lt;p&gt;Agustín Fuentes passionately recalls his summers spent in Spain witnessing the birth of La Movida, the cultural period that followed the end of &lt;a href="https://english.elpais.com/international/2025-06-02/when-the-nazis-questioned-whether-franco-was-jewish.html" target="_self" rel="" title="https://english.elpais.com/international/2025-06-02/when-the-nazis-questioned-whether-franco-was-jewish.html"&gt;the Franco dictatorship&lt;/a&gt;. “I remember – when I was young, in Madrid – gravitating toward Rock-Ola (a music venue), observing the changes in dress, behavior, dancing…” &lt;/p&gt;&lt;p&gt;&lt;a href="https://english.elpais.com/science-tech/2025-08-02/agustin-fuentes-bioanthropologist-saying-that-human-beings-are-binary-is-a-failure-its-not-biology-its-philosophy.html" target="_blank"&gt;Seguir leyendo&lt;/a&gt;&lt;/p&gt;</content:encoded>
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      <guid isPermaLink="true">https://english.elpais.com/culture/2024-10-28/sean-baker-the-director-of-the-dark-side-of-the-american-dream-i-think-i-show-an-america-that-you-would-otherwise-never-see-on-the-big-screen.html</guid>
      <title>Sean Baker, the director of the dark side of the American dream: ‘I think I show an America that you would otherwise never see on the big screen’</title>
      <pubDate>Mon, 28 Oct 2024 20:48:07 GMT</pubDate>
      <link>https://english.elpais.com/culture/2024-10-28/sean-baker-the-director-of-the-dark-side-of-the-american-dream-i-think-i-show-an-america-that-you-would-otherwise-never-see-on-the-big-screen.html</link>
      <dc:creator>Gregorio Belinchón Yagüe</dc:creator>
      <dcterms:alternative>With ‘Anora,’ winner of the Palme d’Or at Cannes, the director premieres his fifth feature film involving sex workers. ‘If being indie means that you have complete control over your work, I will always be indie’</dcterms:alternative>
      <description>With ‘Anora,’ winner of the Palme d’Or at Cannes, the director premieres his fifth feature film involving sex workers. ‘If being indie means that you have complete control over your work, I will always be indie’</description>
      <category>Hollywood</category>
      <category>Willem Dafoe</category>
      <category>Eloy de la Iglesia</category>
      <category>Movida madrileña</category>
      <category>Federico Fellini</category>
      <category>Cannes</category>
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        <media:credit>UNIVERSAL (EL PAÍS)</media:credit>
        <media:title>Sean Baker, the director of the dark side of the American dream: ‘I think I show an America that you would otherwise never see on the big screen’</media:title>
        <media:text>Sean Baker.</media:text>
        <media:description>Sean Baker.</media:description>
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      <atom:link href="https://english.elpais.com/culture/2024-10-28/from-a-cult-to-hollywood-royalty-joaquin-phoenix-the-star-who-has-overcome-it-all.html" title="From a cult to Hollywood royalty: Joaquin Phoenix, the star who has overcome it all" rel="related">
        <media:thumbnail url="https://images.english.elpais.com/resizer/v2/DSZYFS2EJRBPDOC2FPAYOXP6UI.jpg?auth=27be1223a782238ae69cd9c328f49add3ae6c964851fb393de918e612907e957" height="1728" width="2304"/>
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      <atom:link href="https://english.elpais.com/culture/2024-10-18/al-pacino-memoirs-of-a-survivor-from-the-bronx.html" title="Al Pacino, memoirs of a survivor from the Bronx" rel="related">
        <media:thumbnail url="https://images.english.elpais.com/resizer/v2/GOELBZOJHZEB7Z7TM7KDWYJDDM.jpg?auth=015656c8de47155335afa5d1b188e94214331d01b737c69820b22eb73684bd6f" height="438" width="666"/>
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      <content:encoded>&lt;p&gt;Sean Baker is scared of the figure of Eloy de la Iglesia. That a cursed director of the &lt;a href="https://english.elpais.com/elpais/2016/02/03/inenglish/1454496288_346509.html"&gt;Spanish Transition&lt;/a&gt; — the man who portrayed the wave of destruction that heroin caused in the sewers of the vaunted &lt;a href="https://english.elpais.com/elpais/2018/01/11/inenglish/1515676402_249384.html"&gt;Movida Madrileña&lt;/a&gt; — scares the most recent winner of the Cannes Palme d’Or, an indie filmmaker with a New York soul, is a sign of the shadows Baker hides. “At New York University, we didn’t get that Spanish cinema. I discovered it about five years ago and I feel more aligned with it than with Fellini,” he says. “His personality reminds me of Pasolini, and I’ve been told that his drug addiction originated from his interaction with actors. That scares me because I was hooked. I had problems with drugs, I was addicted to heroin at the end of the 1990s, when I was in my twenties. Sometimes I get scared when I realize that I’m getting too close to those worlds again. In one film I had a person shooting up next to me. Ugh.” For a filmmaker who doesn’t enjoy interviews, the confession came out in torrents.&lt;/p&gt;&lt;p&gt;&lt;a href="https://english.elpais.com/culture/2024-10-28/sean-baker-the-director-of-the-dark-side-of-the-american-dream-i-think-i-show-an-america-that-you-would-otherwise-never-see-on-the-big-screen.html" target="_blank"&gt;Seguir leyendo&lt;/a&gt;&lt;/p&gt;</content:encoded>
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      <guid isPermaLink="true">https://english.elpais.com/culture/2024-08-12/mods-and-rockers-from-fighting-in-the-1960s-to-struggling-to-survive-in-the-21st-century.html</guid>
      <title>Mods and rockers: From fighting in the 1960s to struggling to survive in the 21st century</title>
      <pubDate>Mon, 12 Aug 2024 18:20:46 GMT</pubDate>
      <link>https://english.elpais.com/culture/2024-08-12/mods-and-rockers-from-fighting-in-the-1960s-to-struggling-to-survive-in-the-21st-century.html</link>
      <dc:creator>Sergio C Fanjul </dc:creator>
      <dcterms:alternative>The two subcultures are suffering from a lack of generational change. A new exhibition recounts their history and idiosyncrasies from the “Battle of Brighton” in 1964, which was featured in the film ‘Quadrophenia,’ to the present day</dcterms:alternative>
      <description>The two subcultures are suffering from a lack of generational change. A new exhibition recounts their history and idiosyncrasies from the “Battle of Brighton” in 1964, which was featured in the film ‘Quadrophenia,’ to the present day</description>
      <category>Brighton 64</category>
      <category>Brighton</category>
      <category>Mod</category>
      <category>The Who</category>
      <category>The Jam</category>
      <category>Elvis Presley</category>
      <category>Sex Pistols</category>
      <category>Francisco Franco</category>
      <category>Madrid</category>
      <category>Movida madrileña</category>
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        <media:credit>Miguel Trillo</media:credit>
        <media:title>Mods and rockers: From fighting in the 1960s to struggling to survive in the 21st century</media:title>
        <media:text>A couple of mods photographed by Miguel Trillo in 2000 in Barcelona.</media:text>
        <media:description>A couple of mods photographed by Miguel Trillo in 2000 in Barcelona.</media:description>
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      <atom:link href="https://english.elpais.com/culture/2024-08-08/cats-inspired-japanese-culture-centuries-before-the-social-media-fervor.html" title="Cats inspired Japanese culture centuries before the social media fervor" rel="related">
        <media:thumbnail url="https://images.english.elpais.com/resizer/v2/5ID6MXUPUIBN6JIRKJLW2KVGYY.jpg?auth=1d498c1e56ab539931d41d599b836c42bd841e5fc00eb3ab19ae03a45d3436a7" height="655" width="980"/>
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      <atom:link href="https://english.elpais.com/culture/2024-08-11/anita-pallenberg-lived-through-the-wildest-years-of-the-rolling-stones-went-to-hell-and-made-it-back.html" title="Anita Pallenberg lived through the wildest years of the Rolling Stones, went to hell and made it back " rel="related">
        <media:thumbnail url="https://images.english.elpais.com/resizer/v2/GO7FJHT56KEPHJEEZ6ZVKFW4YY.jpg?auth=19aff098ad804ee6f4cbdd6b2f10643da76d9f41e9b8a7113b4d8f993359a8fb" height="549" width="980"/>
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      <content:encoded>&lt;p&gt;On May 18, 1964, in the seaside town of Brighton, UK, a bunch of kids got into a fistfight. There were a couple of thousand of them and they belonged to two camps: the mods and the &lt;a href="https://english.elpais.com/culture/2023-11-20/the-classic-jacket-worn-by-rockers-movie-stars-hoodlums-and-everyone-in-between.html"&gt;rockers&lt;/a&gt;, two of the first subcultures of the second half of the 20th century, fueled by the post-war baby boom that increased the youth population. In reality, there was no express or ideological reason for the clash: bored, riding around on their motorcycles and scooters, in their leather jackets and parkas, mods and rockers roamed the coastal cities during the holidays. One day the spark went off, as it sometimes does at an early age. And all hell broke loose.&lt;/p&gt;&lt;p&gt;&lt;a href="https://english.elpais.com/culture/2024-08-12/mods-and-rockers-from-fighting-in-the-1960s-to-struggling-to-survive-in-the-21st-century.html" target="_blank"&gt;Seguir leyendo&lt;/a&gt;&lt;/p&gt;</content:encoded>
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